Search results
Results from the WOW.Com Content Network
The sonnet tradition was then continued by August Wilhelm von Schlegel, Paul von Heyse and others, reaching fruition in Rainer Maria Rilke's Sonnets to Orpheus, which has been described as "one of the great modern poems, not to mention a monumental addition to the literature of the sonnet sequence". [120]
In the seventh sonnet, Prešeren made something that was later seen as a prophecy of his own glory: referring to the ancient myth of Orpheus, he invoked the skies to send a new Orpheus to the Slovenes, the beauty of whose poetry would inspire patriotism, help overcome internal disputes, and unify all Slovenes into one nation again.
The sonnet was a popular form of poetry during the Romantic period: William Wordsworth wrote 523, John Keats 67, Samuel Taylor Coleridge 48, and Percy Bysshe Shelley 18. [1] But in the opinion of Lord Byron sonnets were “the most puling, petrifying, stupidly platonic compositions”, [ 2 ] at least as a vehicle for love poetry, and he wrote ...
As Stephen Booth notes, Sonnet 26 works on a series of "shows": the word appears in four separate lines of the sonnet. Booth perceives a vague sexual pun in the second half of the poem, but G. B. Evans and others describe this reading as "strained." The first "show" in the sonnet is directed to Cupid, to whom in servitude the poet's duty is ...
In form, each 'sonnet' comprises four sets of internally rhyming quatrains, where the final quatrain either sums up the poem's drift or else serves as a turning point that takes the meaning in a new direction. In this way it corresponds roughly to the final couplet of the conventional Shakespearian sonnet.
Sonnet 87 contains the line, "Thus I the time with expectation spend". When the sonnets of Amoretti are viewed in this liturgical context, one sees that Spenser's Petrarchan allusions and use of Petrarchan precedents cannot be reduced run-of-the-mill imitation. He adapts Petrarchan models and uses them to create connections to the day's ...
Sonnet 57 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man. Sonnet 57 is connected with Sonnet 58 which pursues the theme of the poet as a slave of the beloved.
Sonnet II", also known by its opening words as "As Due By Many Titles", is a poem written by John Donne, who is considered to be one of the representatives of the metaphysical poetry in English literature. It was first published in 1633, two years after Donne’s death. It is included in the Holy Sonnets – a