Search results
Results from the WOW.Com Content Network
"Kimigayo" is the national anthem of Japan.The lyrics are from a waka poem written by an unnamed author in the Heian period (794–1185), [1] and the current melody was chosen in 1880, [2] replacing an unpopular melody composed by John William Fenton in 1869.
View a machine-translated version of the Japanese article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
The Ode of Showa Restoration (昭和維新 ( しょうわいしん ) の 歌 ( うた ), shōwaishin no uta) is a 1930 song by Japanese naval officer Mikami Taku. It was composed as an anthem for the Young Officers Movement. The song makes strong appeal to natural and religious imagery.
"Ue o Muite Arukō" (Japanese: 上を向いて歩こう, "I Look Up as I Walk"), alternatively titled "Sukiyaki", is a song by Japanese crooner Kyu Sakamoto, first released in Japan in 1961. The song topped the charts in a number of countries, including the U.S. Billb
Claude Joseph Rouget de Lisle, the composer of the French national anthem "La Marseillaise", sings it for the first time. The anthem is one of the earliest to be adopted by a modern state, in 1795. Most nation states have an anthem, defined as "a song, as of praise, devotion, or patriotism"; most anthems are either marches or hymns in style. A song or hymn can become a national anthem under ...
"Umi Yukaba" (海行かば) is a Japanese song whose lyrics are based on a chōka poem by Ōtomo no Yakamochi in the Man'yōshū (poem 4094), an eighth century anthology of Japanese poetry, set to music by Kiyoshi Nobutoki.
Upgrade to a faster, more secure version of a supported browser. It's free and it only takes a few moments:
John William Fenton (12 March 1828 – 28 April 1890) was an Irish musician of Scottish and English descent and the leader of a military band in Japan at the start of the Meiji period. He is considered "the first bandmaster in Japan" [ 1 ] and "the father of band music in Japan."