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Loving offenders, I excuse you both thus: you love her, because you know I love her; similarly, she abuses me for my sake, in allowing my friend to have her. If I lose you, my loss is a gain to my love; and losing her, my friend picks up that loss. Both find each other, I lose both, and both lay this cross on me for my sake.
In this particular sonnet, the couplet acts as a summary of the basic sentiment of silent and stifled desire that fill the lines of the poem. "So true a fool is love that in your will, though you do anything, he thinks no ill," not only reiterates the dark romanticism that characterizes the entire sonnet, but Shakespeare also subtly establishes ...
"Lose You to Love Me" is a pop ballad with empowering lyrics about discovering one's true self, backed by a choir, piano and strings. "Lose You to Love Me" received widespread acclaim from music critics, who mostly complimented its lyrical content. "Lose You to Love Me" topped the Billboard Hot 100, becoming Gomez's first number one song on the ...
Selena Gomez is lifting the curtain on her creative process. The pop star shared an intimate and emotional new throwback video on TikTok, showing fans how she wrote her 2019 hit single, "Lose You ...
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
It would not give you anything you do not already have. All that I possessed was already yours before you took this. (The second quatrain is obscure and contested.) If, instead of loving me, you love the person I love, I can't blame you, because you are merely taking advantage of my love. (For possible readings of lines 7–8, see below).
This analysis points to a shift in the tone of the poem, in other words, a volta. The overall framing of the sonnet shines a light on the volta as well. Pairs of lines in the octave are parallel thematically: according to Vendler, "[c]areful parallels are drawn between [lines 1 & 2] and [ll 5 & 6] by fear and perfect ( unperfect ), between [ll ...
Sonnet 22 uses the image of mirrors to argue about age and its effects. The poet will not be persuaded he himself is old as long as the young man retains his youth. On the other hand, when the time comes that he sees furrows or sorrows on the youth's brow, then he will contemplate the fact ("look") that he must pay his debt to death ("death my days should expiate").