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The song was originally released as the B-side to Streetband's first single "Hold On" in September 1978. However, "Toast" received heavy airplay from Kenny Everett on Capital Radio and this led to the sides being flipped and "Toast" being released as the A-side a month later.
The song describes a woman who "thinks of ghosts" and puts Vaseline on toast, a man who "goes to shows" and uses magazines to blow his nose, and another woman that "reminds [the narrator] of Cher" and uses tangerines to make her hair orange. Coyne has stated, "The song came to me very quickly, and I thought it was sort of funny."
The Toreador Song, also known as the Toreador March or March of the Toreadors, is the popular name for the aria " Votre toast, je peux vous le rendre" ("I return your toast to you"), from the French opera Carmen, composed by Georges Bizet to a libretto by Henri Meilhac and Ludovic Halévy.
Later, his wife said she was looking forward to having toast the next morning, and he started improvising a song about toast while playing a bongo. [9] Heywood frequently appears on the nationally syndicated radio program The Bob and Tom Show. His most popular and widely known song is called "Toast", played on a toaster with a pair of forks.
Here's a toast to the host Of those who love the vastness of the sky, To a friend we send a message of the brave who serve on high. We drink to those who gave their all of old Then down we roar to score the rainbow's pot of gold. A toast to the host of those we boast, the U.S. Air Force! (Verse IV) Off we go into the wild sky yonder,
Toast is the 44th studio album by Canadian-American singer-songwriter Neil Young and Crazy Horse. [4] One of Young's several "lost" albums, it was recorded in 2000-2001 but shelved in favor of Are You Passionate?, and was finally released on July 8, 2022. [3] [2] It is Volume 09 of Neil Young Archives' Special Release Series.
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"Toast and Marmalade for Tea" was an unfinished song by Steve Groves, who had written only verses; Steve Kipner explained, "We had been thinking that we would write a chorus for it together". The resulting demo was recorded on 27 June 1969 and Maurice Gibb called them into the studio at short notice the following month and re-recorded it for ...