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Cool "Disco" Dan (December 31, 1969 – July 26, 2017) was the pseudonym of American graffiti artist Dan Hogg. [ 1 ] [ 2 ] His standard mark, a particularly styled rendering of his name, was ubiquitous in the Washington metropolitan area , notably along the route of the Washington Metro Red Line .
The e-books are published by Sleeping Dog Films, which primarily archives the photographer's over 800 photos of New York City Subway graffiti. [7] Each book in the series concentrates on a particular group or groups of graffiti artists, with an introduction by Chalfant giving background on the time and place in which the artists worked.
The Cool S consists of 14 line segments, forming a stylized, pointed S-shape.It has also been compared to the infinity symbol. [4] The S appears to have depth, where the overlap in the center of the S and the appearance of a potential altitude change at the top and bottom of the S make it look like the S connects back to itself in the same way as the infinity symbol does. [5]
ROA (born c. 1976) [1] is a graffiti and street artist from Ghent, Belgium. He has created works on the streets of cities across Europe , the United States , Australia , Asia, New Zealand and Africa.
He is widely considered one of the world's first modern graffiti artist. [1] [2] [3] McCray was raised in Brewerytown, a neighborhood of North Philadelphia. During the late 1960s, he and a group of friends started doing graffiti in Philadelphia, by writing their monikers on walls across the city. [4]
Charles "Chaz" Bojórquez is a Mexican-American Chicano graffiti artist and painter from Los Angeles who is known for his work in Cholo-style calligraphy. [1] He is credited with bringing the Chicano and Cholo graffiti style into the established art scene.
A heavily tagged subway car in New York City in 1973. By the mid-1970s, most standards had been set in graffiti writing and culture. The heaviest "bombing" in U.S. history took place in this period, partially because of the economic restraints on New York City, which limited its ability to combat this art form with graffiti removal programs or transit maintenance.
This page was last edited on 6 February 2024, at 21:57 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
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