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In ancient Greek religion, The Gaze of Orpheus is derived from the antiquarian Greek myth of Orpheus and Eurydice.In the story of Orpheus, the poet descends to the underworld to retrieve his wife, Eurydice from premature death, only on Hades’ and Persephone's condition that he does not look at her during the process.
Orpheus : The Myth of the Poet. Baltimore: Johns Hopkins University Press. ISBN 0-8018-3708-1. Smith, William; Dictionary of Greek and Roman Biography and Mythology, London (1873). "Orpheus" West, Martin L., The Orphic Poems, 1983. There is a sub-thesis in this work that early Greek religion was heavily influenced by Central Asian shamanistic ...
In Greek mythology, the legend of Orpheus and Eurydice (Greek: Ὀρφεύς, Εὐρυδίκη, romanized: Orpheus, Eurydikē) concerns the fateful love of Orpheus of Thrace for the beautiful Eurydice. Orpheus was the son of Oeagrus and the muse Calliope.
Eurydice (/ j ʊəˈr ɪ d ɪ s iː /; Ancient Greek: Εὐρυδίκη 'wide justice', classical pronunciation: [eu̯.ry.dí.kɛː]) was a character in Greek mythology and the Auloniad wife of Orpheus, whom Orpheus tried to bring back from the dead with his enchanting music.
Orphic mosaics were found in many late-Roman villas. Orphism is the name given to a set of religious beliefs and practices [1] originating in the ancient Greek and Hellenistic world, [2] associated with literature ascribed to the mythical poet Orpheus, who descended into the Greek underworld and returned.
Oeagrus and the Muse Calliope [6] [7] or Clio [citation needed] or Polymnia [8] were the parents of Orpheus [9] [10] [11] and Linus. [12] He married Calliope close to Pimpleia, Olympus. [13] [14] The sisters of Orpheus are called Oeagrides, in the sense of the Muses. [15] The father of Orpheus was sometimes given as Apollo. [16]
Orpheus, Linus, the Corybantes In Greek mythology , Calliope ( / k ə ˈ l aɪ . ə p i / kə- LY -ə-pee ; Ancient Greek : Καλλιόπη , romanized : Kalliópē , lit. 'beautiful-voiced') is the Muse who presides over eloquence and epic poetry ; so called from the ecstatic harmony of her voice.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.