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Kibbie was born in 1949 in Vinton, Iowa, USA.He graduated from Davenport West High School in 1967. [1] He holds the Bachelor of Music in Organ Performance from North Texas State University (Magna cum laude, 1971), the Master of Music in Organ Performance from North Texas State University (1972), and the Doctor of Musical Arts in Organ Performance from the University of Michigan (1981).
Organ Concerto in E-flat major, BWV 597 (Bach, Johann Sebastian) Pages at James Kibbie's Bach Organ Works website containing free downloads of recordings on various 18th-century organs in AAC and MP3 format: BWV 592 • BWV 593 • BWV 594 • BWV 595 • BWV 596
Organ Works (Bach, Johann Sebastian), Orgelwerke (Bach, Johann Sebastian): Scores at the International Music Score Library Project. Accessed: 09:23, 3 April 2016 (UTC). James Kibbie – Bach Organ Works: free downloads of the complete organ works of Johann Sebastian Bach, recorded by James Kibbie on original baroque organs in Germany. Accessed ...
A Study of J.S. Bach’s Toccata in F Major; Free download of BWV 540 recorded by James Kibbie on the 1755 Gottfried Silbermann/Zacharias Hildebrandt organ in the Katholische Hofkirche, Dresden, Germany
The beginning of the BWV 548 Prelude, in the hand of J.S. Bach. Prelude and Fugue in E minor, BWV 548 is a piece of organ music written by Johann Sebastian Bach sometime between 1727 and 1736, [1] during his time in Leipzig. The work is sometimes called "The Wedge" due to the chromatic outward motion of the fugue theme. [1]
The second movement is again in two sections, one marked Adagio and another marked Grave. The insertion of a middle slow movement in an organ work was unusual for Bach, although traces of this idea can be found in other works from the same period: for example, a surviving early version of Prelude and Fugue in C Major, BWV 545, contains a slow Trio, which was removed from the final version, but ...
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The Fantasia or Pièce d'Orgue (organ piece) in G major, BWV 572, is a composition for organ by Johann Sebastian Bach.. No autograph of BWV 572 survives. The earliest extant manuscript copies of the piece originated in the 1710s (early version) and 1720s (revised version).