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[2] [8] It was the first feature film director Jesús Franco made with an international cast and a full sized-crew in nearly 20 years. [9] The film's budget was Franco's largest since Succubus (1968). [10] [11] The special effects manager on Faceless was Jacques Gastineau. It was his second special effects job after doing work in Terminus (1987 ...
Allen asks if he bears a resemblance to Vincent but Grant refuses to talk without compensation. That night while Allen is at work, Chris receives a call from a man with a distorted voice calling her Lucy and accusing her of having an affair. Later, a woman is attacked in a park by a man wearing a leather mask.
Tess McGill is a working-class woman from Staten Island who dreams of climbing the corporate ladder to an executive position. Despite holding a business degree earned through evening classes, her boss and male co-workers at the stockbroker firm in lower Manhattan where she works as a secretary treat her like a bimbo, even though they benefit from her intelligence and business instincts.
The film was also shot in a house for Huppert's character in Saint-Germain-en-Laye for five weeks. [21] Verhoeven's mise-en-scène for the film was influenced by three films: Federico Fellini's 8½, Jean Renoir's The Rules of the Game and Orson Welles' Touch of Evil. Every scene was choreographed, and Verhoeven storyboarded the whole film ...
As of March 2021, the film holds a 73% approval rating on Rotten Tomatoes, based on 51 reviews with an average rating of 6.40 out of 10. The website's critics consensus reads: "Strange, audacious, and aggressive, The Woman is an uneven horror flick that game viewers with a wildly bloody finale." [2]
Meanwhile, seamstress Karen is working at her home when she is attacked by the hockey mask rapist. He attacks her in a similar fashion, making her sing "Jingle Bells." The police call Linda and Karen to a line up, where the two women meet Teresa, Nancy, and Angie, who are also victims of the hockey mask rapist.
On the review aggregator website Rotten Tomatoes, 43% of seven critics' reviews are positive, with an average rating of 5.6/10. [5]Courtney Small of Exclaim! wrote that "Moore clearly knows how to create an eerie atmosphere, and his cast does their best with what they're given, but neither can overcome the film's lacklustre and muddled script."
On review aggregator Rotten Tomatoes, the film holds a 100% approval rating based on 7 reviews, with an average rating of 7.5/10. [8] Jonathan Rosenbaum of the Chicago Reader defended the film in his 2005 review, calling it "more palatable" than Teshigahara's previous works, the theme "brilliantly and imaginatively explored," and the acting ...