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Radio Tonga plays music from local Tongan musical groups, Fijian and Samoan bands, Hawaiʻian music, etc. It also broadcasts church services and choir competitions, so it disseminates church music as well as popular music. The Tongan groups usually feature strong vocals, solo or choral, haunting minor key harmonies, and guitar backup.
Tongans or Tongan people are a Polynesian ethnic group native to Tonga, a Polynesian archipelago in the Pacific Ocean. Tongans represent more than 98% of the inhabitants of Tonga. The rest are European (the majority are British ), mixed European, and other Pacific Islanders .
Samoans or Samoan people (Samoan: tagata Sāmoa) are the Indigenous Polynesian people of the Samoan Islands, an archipelago in Polynesia, who speak the Samoan language.The group's home islands are politically and geographically divided between the Independent State of Samoa and American Samoa, an unincorporated territory of the United States of America.
J Boog (USA) is a reggae performer of Samoan descent based in Hawaii. [8] Chris Boomer is a reggae artists from Guam. [9] Polynesian heritage artists feature in pop music culture including Dinah Jane (USA) of Fifth Harmony. Some Polynesian islands have developed a cassette industry, most notably Fiji, Tonga and Samoa. [citation needed]
The Tongan ma'ulu'ulu in its current stylistic performance is more akin to the Samoan Sasa. The Manu Samoa rugby team used to perform a lively version of the ma'ulu'ulu as a pre-game warm-up ritual until 1991 when the siva tau was choreographed (based on the Maori haka made famous by the New Zealand All Blacks rugby squad.
" Ko e fasi ʻo e tuʻi ʻo e ʻOtu Tonga" (pronounced [ko e fasi ʔo e tuʔi ʔo e ʔotu toŋa]; alternatively "Ko e fasi ʻo e kuini ʻo e ʻOtu Tonga" when the Tongan monarch is female) is the national anthem of Tonga. The title literally means "song of the king of the Tonga Islands" or "song of the queen of the Tonga Islands" (when the ...
The postures originally emphasized finger and hand motifs (following Samoan stylistics), until 1950 when queen Sālote personally integrated the distinctly Tongan wrist flourishes and lakalaka leg transitions into her song "Manu ʻo Palataisi" (Bird of Paradise), leading to the technical composition and format of the contemporary Tongan ...
Many earlier bands copied or imitated this music—a trend that continues. It is common practice and well accepted for Samoan music makers to take a Western song, replace the lyrics with Samoan words, and reintroduce the tune as an original. The guitar and 'ukulele became the usual instruments for composing and performing music.