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Sikh music, also known as Gurbani Sangeet (Gurmukhi: ਗੁਰਬਾਣੀ ਸੰਗੀਤ, romanized: Gurabāṇī sagīta; meaning music of the speech of wisdom), and as Gurmat Sangeet (Gurmukhi: ਗੁਰਮਤਿ ਸੰਗੀਤ, romanized: Guramati sagīta; meaning music of the counsel or tenets of the Guru), or even as Shabad Kirtan (Gurmukhi: ਸ਼ਬਦ ਕੀਰਤਨ, romanized ...
The traditional story is that the dilruba was invented around 300 years ago by the 10th Sikh Guru, Guru Gobind Singh, who based it on the much older and much heavier taus. [ 1 ] [ 3 ] His innovations made it more convenient for the Sikh army (the khalsa ) to carry the instrument on horseback.
The dilruba was created some 300 years ago by the 10th Sikh guru, Guru Gobind Singh, who based it on the much older, and heavier, Taus. [2] [3] This made it more convenient for the Khalsa, the Sikh army, to carry the instrument on horseback. [1] According to the folklore, the esraj was created by Ishwari Raj, a musician who lived in Gayadam.
Rababi (Gurmukhi: ਰਬਾਬੀ) is a term used to refer to a player of the rabab instrument.. In the Sikh liturgical tradition, there are three types of musicians—rababis, ragis, and dhadhis, all of which flourished during the period of the gurus.
Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
Over a gradual period of time, and especially after the Partition of Punjab in 1947, most rabab players (which have historically been Muslim since the times of the first Sikh Gurus) emigrated to Lehnda Punjab, Pakistan, This took a way a key part of the Jori playing symphony, and the rabab was replaced with more canonically Indian instruments ...
Tā’ūs or Mayūrī (`Peacock vina'), St Cecilia's Hall The taus, originally known as the mayuri veena, [1] is a bowed string instrument from North India.It is a form of veena used in North India with a peacock-shaped resonator called a mayuri, and is played with the neck of the instrument on bow. [2]
In Central Asia and the Middle East, the naghara is considered to be only one drum and differs in size and goes by various names such as "boyuk nagara" (big naghara), "cura nagara" (small naghara), "chiling naghara" (played with drum sticks), "Qoltuq nagara" (drum held under the arm), gosha naghara and "el naghara" (hand naghara). [1] [2]