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The Duchess of Malfi (originally published as The Tragedy of the Dutchesse of Malfy) is a Jacobean revenge tragedy written by English dramatist John Webster in 1612–1613. [1] It was first performed privately at the Blackfriars Theatre , then later to a larger audience at The Globe , in 1613–1614.
John Webster (c. 1578 – c. 1632) was an English Jacobean dramatist best known for his tragedies The White Devil and The Duchess of Malfi, which are often seen as masterpieces of the early 17th-century English stage. [1]
The Duchess of Malfi is an adaptation by the twentieth-century German dramatist Bertolt Brecht of the English seventeenth-century tragedy of the same name by John Webster. [1] He collaborated with H. R. Hays and Anglo-American poet, W. H. Auden. [2] It was written during Brecht's period of exile in the United States. [2] In premiered in New ...
In The Duchess of Malfi the main characters plot to kill their widowed sister who secretly marries without their consent. Christopher Crosbie's book explores the connection between early modern revenge tragedies and the underlying philosophical influences, aiming to unveil how these plays addressed ontological questions rooted in classical ...
Giovanna d'Aragona, Duchess of Amalfi (1478–1510) was an Italian aristocrat, regent of the Duchy of Amalfi during the minority of her son from 1498 until 1510. Her tragic life inspired several works of literature, most notably John Webster 's play, The Duchess of Malfi .
The Skull Beneath The Skin is a 1982 detective novel by English writer P. D. James, featuring her female private detective Cordelia Gray.The novel is set in a reconstructed Victorian castle on the fictional Courcy Island on the Dorset coast and centers around actress Clarissa Lisle, who is to play John Webster's drama The Duchess of Malfi in the castle's restored theatre.
The Duchess of Malfi is an opera in three acts by the British composer Stephen Oliver, based on the eponymous play by John Webster.Oliver originally wrote this opera, his ninth in 1971, at age 21, for a production at the Oxford Playhouse on commission from the Oxford University Opera Club. [1]
It details the investigations into the death of a young, ambitious maid, surrounded by a family which has reasons to want her gone – or dead. The title is taken from a passage from John Webster's The Duchess of Malfi: "Cover her face. Mine eyes dazzle; she died young," which is quoted by one of the characters in the novel.