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Samples of sans-serif typefaces Typeface name Example 1 Example 2 Example 3 Agency FB Designer: Caleigh Huber & Morris Fuller Benton Class: Geometric : Akzidenz-Grotesk Designer: Günter Gerhard Lange Class: Grotesque : Amplitude Designer: Christian Schwartz Class: Humanist : Andalé Sans Designer: Steve Matteson Class: Humanist : Antique Olive ...
Sans-serif lettering and typefaces were popular due to their clarity and legibility at distance in advertising and display use, when printed very large or small. Because sans-serif type was often used for headings and commercial printing, many early sans-serif designs did not feature lower-case letters.
Venus or Venus-Grotesk is a sans-serif typeface family released by the Bauer Type Foundry of Frankfurt am Main, Germany from 1907 onwards. [ 1 ] [ a ] Released in a large range of styles, including condensed and extended weights, it was very popular in the early-to-mid twentieth century.
Hallmarks of the style are asymmetric layouts, use of a grid, sans-serif typefaces like Akzidenz Grotesk and Helvetica, and flush left, ragged right text. The style is also associated with a preference for photography in place of illustrations or drawings.
Contrary to their current perception, in its early years, the Bauhaus school printed serif art nouveau typefaces. After some years of design work at the school, Herbert Bayer and Joost Schmidt created the more recognizable proposals—sans-serif geometric letterings, with decorative elements of the font removed for a crisp industrial style.
Whitney is a family of humanist sans-serif digital typefaces, designed by American type designer Tobias Frere-Jones. [1] It was originally created for New York's Whitney Museum as its institutional typeface. [2] Two key requirements were flexibility for editorial requirements and a design consistency with the Whitney Museum's existing public ...
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