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Angelico intervened to complete this altarpiece when it had been already begun by Lorenzo Monaco for the Strozzi Chapel in the Florentine church of Santa Trinita. It portrays Christ supported by several people, with Mary Magdalene kissing his feet, as a symbol of human repentance. A figure on the right, with a red hat, is showing the cross's ...
Like most of Fra Angelico's work, the iconography is standard for the contemporary treatments of the Last Judgement. Among the most common subjects of painting in churches, it is found more often on walls. In the top centre of the picture, Christ sits in judgement on a white throne surrounded by angels, Mary, John, and the saints.
Crucifixion with Mourners and St Dominic (c. 1436) by Fra Angelico. Crucifixion with Mourners and St Dominic is a fresco fragment by the Italian early Renaissance painter Fra Angelico, executed c. 1435, from the refectory of the Convent of San Domenico, Fiesole, now in the Louvre.
Fra Angelico, O.P. (born Guido di Pietro; c. 1395 [1] – 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his Lives of the Artists as having "a rare and perfect talent". [2]
Adoration of the Magi by Fra Angelico in San Marco (c. 1441-1442) The Adoration of the Magi in San Marco is a fresco by Fra Angelico in a double cell used by Cosimo de' Medici, created c. 1441-1442. [1] The paintings in the double cell differ in some respects from Fra Angelico's frescos in others cells.
Above the entrance door is a badly deteriorated fresco by Fra Angelico depicting Christ in Pietà, alluding to the Resurrection awaiting those who nourished by him. Today the room contains works presenting the artistic activity of the second great painter who lived in San Marco at the beginning of the 16th century: Fra Bartolomeo .
Fresco by Fra Angelico, Dominican monastery at San Marco, Florence, showing the lance piercing the side of Jesus on the cross (c. 1440). The Holy Lance, also known as the Spear of Longinus (named after Saint Longinus), the Spear of Destiny, or the Holy Spear, is alleged to be the lance that pierced the side of Jesus as he hung on the cross during his crucifixion.
Rosso Fiorentino. Descent from the Cross. 1521.Oil on wood. 375 × 196 cm. Pinacoteca Comunale di Volterra, Italy.. The Descent from the Cross (Greek: Ἀποκαθήλωσις, Apokathelosis), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion (John 19, John 19:38–42).