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Each character in commedia dell'arte is distinctly different, and defined by their movement, actions, masks, and costumes. These costumes show their social status and background. Pantalone typically wore tight red pants and a matching shirt, a long black cape, black or red pointed shoes, and a belt that had a purse attached. Pantalone also ...
The white robe (白衣, hakue, byakue, shiraginu) worn on the upper body is a white kosode, with sleeves similar in length to those of a tomesode. [3] Originally, kosode sleeves were underwear to be worn under daily clothing, but gradually became acceptable outerwear between the end of the Heian period and the Kamakura period [4] The red collar sometimes seen around the neck is a decorative ...
Woodcut showing a witch on a broomstick with a conical hat, from The History of Witches and Wizards (1720). The origins of the witch hat as displayed today are disputed. One theory is that the image arose out of antisemitism: in 1215, the Fourth Council of the Lateran issued an edict that all Jews must wear identifying headgear, a pointed cap known as a Judenhut.
Costumes and armour designed by Wētā Workshop for The Lord of the Rings film trilogy. Founded in 1987 by Richard Taylor and Tania Rodger as RT Effects, Wētā Workshop has produced creatures and makeup effects for the TV series Hercules: The Legendary Journeys and Xena: Warrior Princess and effects for films such as Meet the Feebles and Heavenly Creatures.
Halloween costumes are often designed to imitate supernatural and scary beings. Costumes are traditionally those of monsters such as vampires, werewolves, zombies, ghosts, [33] skeletons, witches, goblins, trolls, devils, etc., or in more recent years, such science fiction-inspired characters as aliens and superheroes. There are also costumes ...
Vosper's 1908 watercolour Salem is one of the most recognised images of the Traditional Welsh costume. There are about 700 images dated 1770–1900 in which Welsh costume is clearly depicted and there are a similar number of early 20th century photographs, mostly postcards, some based on earlier photographs while others were comic.
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In 2009, the American Costume Collection of the Brooklyn Museum was transferred to the Costume Institute, as The Brooklyn Museum Costume Collection at The Metropolitan Museum of Art. The high costs of maintaining and displaying the collection was the main impetus for the move, which followed years of close collaboration between the two ...
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