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Sappho 31 is a lyric poem by the Archaic Greek poet Sappho of the island of Lesbos. [a] The poem is also known as phainetai moi (φαίνεταί μοι lit. ' It seems to me ') after the opening words of its first line.
Sutcliff used this poem as the foreword for Sword at Sunset. In an interview with John Withrington , published in Quondam et Futurus , Vol.1, No. 4 (Winter, 1991) pp 53–60, she commented, "I had thought of, begun to think of, the reconstruction of the historical Arthur, and then I came across this poem....it sort of rang bells for me in all ...
The hanging rod can reach up to 2 m in length and a thickness of 2 cm. Green to light grey leaves can be up to 7 cm long and 3 cm wide. Thick and fleshy, they are arranged in a spiral around the stem and are very easily detached from the rosette , that is why this plant has been nicknamed "porcelain succulent ".
The pitfalls of being a plant parent are legion, particularly if you weren’t blessed with a green thumb. Fortunately, even serial houseplant killers can successfully keep a succulent...
Adds a block quotation. Template parameters [Edit template data] Parameter Description Type Status text text 1 quote The text to quote Content required char char The character being quoted Example Alice Content suggested sign sign 2 cite author The person being quoted Example Lewis Carroll Content suggested title title 3 The title of the poem being quoted Example Jabberwocky Content suggested ...
The opposite leaves are strongly reduced to small fleshy scales with a narrow dry margin, hairless, unstalked and united at the base, thus enclosing and forming a succulent sheath around the stem, which gives it the appearance of being composed of jointed segments. [2] [3] Many species are green, but their foliage turns red in autumn. Older ...
Cotyledon orbiculata is an extremely variable species, one that grows to approximately 1.3 m (4.3 ft) in height. [1] It has gray-green leaves (up to 13 by 7 cm (5.1 by 2.8 in)), which naturally develop a white, powdery substance (known as farina) on their surfaces; this farina helps reflect sunlight and conserve water.
"Nothing Gold Can Stay" by American composer William Thayer Ames, [6] a choral setting of the poem. "Nothing Gold Can Stay" by American composer Cecil William Bentz, [7] a choral setting of the poem in his opus, "Two Short Poems by Robert Frost." "Nothing Gold Can Stay" [8] by American composer Steven Bryant, [9] an instrumental chorale ...