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The toothed augers rotate in a circle around the center hub, evenly chewing the silage off the surface of the pile. In the center, a large blower assembly picks up the silage and blows it out the silo door, where the silage falls by gravity down the unloader tube to the bottom of the silo, typically into an automated conveyor system.
Silage underneath plastic sheeting is held down by scrap tires. Concrete beneath the silage prevents fermented juice from leaching out. Cattle eating silage. Silage is fodder made from green foliage crops which have been preserved by fermentation to the point of souring. It is fed to cattle, sheep and other ruminants. [1]
A forage harvester – also known as a silage harvester, forager or chopper – is a farm implement that harvests forage plants to make silage. [1] Silage is grass, corn or hay, which has been chopped into small pieces, and compacted together in a storage silo, silage bunker, or in silage bags. [2] It is then fermented to provide feed for ...
It takes endless time and care to make something special. Here, a look into the process behind three feats of creativity.
Here’s the fascinating history of Art Deco, how to tell if a structure has Art Deco elements, and where to see the most iconic Deco buildings of all time.
A specific subgenre of found objects is known as trash art or junk art. [19] These works primarily comprise components that have been discarded. Often they come quite literally from the trash. One example of trash art is trashion, fashion made from trash. Marina DeBris takes trash from the beach and creates dresses, vests, and other clothes ...
Some art theorists and writers have long made a distinction between the physical qualities of an art object and its identity-status as an artwork. [8] For example, a painting by Rembrandt has a physical existence as an "oil painting on canvas" that is separate from its identity as a masterpiece "work of art" or the artist's magnum opus. [9]
In the thirties he made a skeleton with wings of mucilage, adopting this style years before other artists. Later, Reverón made instruments and set pieces such as a telephone, a sofa, a sewing machine, a piano and even music books with their scores. In 1961, the exhibition "The Art of Assemblage" was featured at the New York Museum of Modern Art.