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Smudging, or other rites involving the burning of sacred herbs (e.g., white sage) or resins, is a ceremony practiced by some Indigenous peoples of the Americas.While it bears some resemblance to other ceremonies and rituals involving smoke (e.g., Australian smoking ceremony, some types of saining) from other world cultures, notably those that use smoke for spiritual cleansing or blessing, the ...
Take the traditional Native American practice of sage smudging or burning, for example. Its historical context has disappeared as quickly as an influencer’s Instagram Story showing you their ...
In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [47] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
Glazes are seldom used by indigenous American ceramic artists. Grease can be rubbed onto the pot as well. [2] Prior to contact, pottery was usually open-air fired or pit fired; precontact Indigenous peoples of Mexico used kilns extensively. Today many Native American ceramic artists use kilns. In pit-firing, the pot is placed in a shallow pit ...
George Catlin (July 26, 1796 – December 23, 1872) [1] was an American lawyer, painter, author, and traveler, who specialized in portraits of Native Americans in the American frontier. Traveling to the American West five times during the 1830s, Catlin wrote about and painted portraits that depicted the life of the Plains Indians .
Navajo sandpainting, photogravure by Edward S. Curtis, 1907, Library of Congress. In the sandpainting of southwestern Native Americans (the most famous of which are the Navajo [known as the Diné]), the Medicine Man (or Hatałii) paints loosely upon the ground of a hogan, where the ceremony takes place, or on a buckskin or cloth tarpaulin, by letting the coloured sands flow through his fingers ...
The Adena culture was named for the large mound on Thomas Worthington's early 19th-century estate located near Chillicothe, Ohio, [4] which he named "Adena".. The culture is the most prominently known of a number of similar cultures in eastern North America that began mound building ceremonialism at the end of the Archaic period.
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