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The youth began to gravitate towards Cantonese pop in the 70s. Around 1971, Sandra Lang (仙杜拉) was invited to sing the first Cantonese TV theme song, "The Yuanfen of a Wedding that Cries and Laughs" (啼笑姻緣). This song was the creation of the legendary songwriter Joseph Koo (顧嘉輝) and the songwriter Yip Siu-dak (葉紹德). The ...
Samuel Hui Koon-kit [1] [2] (born 6 September 1948), [1] usually known as Sam Hui, [1] [3] is a Hong Kong musician, singer, songwriter and actor. He is credited with popularising Cantopop both via the infusion of Western-style music and his usage of vernacular Cantonese rather than written vernacular Chinese in biting lyrics that addressed contemporary problems and concerns. [4]
"Below the Lion Rock" (Chinese: 獅子山下) is a Cantopop song by Hong Kong singer Roman Tam. It was composed and arranged by Joseph Koo, with lyrics written by James Wong. It was written and used as the theme song of RTHK's TV show of the same name in 1979. In the 1970s, Cantonese pop songs were starting to gain traction.
Western-influenced music first came to China in the 1920s, specifically through Shanghai. [7] Artists like Zhou Xuan (周璇) acted in films and recorded popular songs.. When the People's Republic of China was established by the Chinese Communist Party in 1949, one of the first actions taken by the government was to denounce pop music (specifically Western pop) as decadent music. [7]
The group sang exclusively in English in their early days, mainly covers of popular songs from other parts of the world, most notably "Hey Jude" by the Beatles.In 1975, the group collaborated with songwriter/lyricist James Wong and released a number of original Cantonese songs for the soundtrack of the film Let's Rock, which Wong also directed.
HONG KONG — Mirror, the most popular boy band in Hong Kong, is hoping to expand its global reach and promote Cantopop in the process with the release on Friday of its first English-language song ...
Mandopop or Mandapop refers to Mandarin popular music.The genre has its origin in the jazz-influenced popular music of 1930s Shanghai known as Shidaiqu; later influences came from Japanese enka, Hong Kong's Cantopop, Taiwan's Hokkien pop, and in particular the campus folk song folk movement of the 1970s. [1] "
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