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Mashallah or Ma Sha Allah or Masha Allah or Ma Shaa Allah (Arabic: مَا شَاءَ ٱللَّٰهُ, romanized: mā shāʾa -llāhᵘ, lit. '' God has willed it' or 'As God has wished'') [ note 1 ] is an Arabic phrase generally used to positively denote something of greatness or beauty and to express a feeling of awe.
Works of Sahl and Masha'allah. Translated by Dykes, Benjamin N. Cazimi Press. ISBN 978-19345-8-602-0. Archived from the original (PDF) on 14 November 2009. Gunther, Robert Theodore (1920). Chaucer and Messahalla on the Astrolabe. Early Science in Oxford. Vol. 5. Oxford: University of Oxford. OCLC 1042928106. Hill, Donald R. (1994).
Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. [2] Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque.
Islamic ornament is the use of decorative forms and patterns in Islamic art and Islamic architecture. Its elements can be broadly divided into the arabesque , using curving plant-based elements, geometric patterns with straight lines or regular curves, and calligraphy , consisting of religious texts with stylized appearance, used both ...
Mashallah (also Ma sha Allah) is an Islamic phrase that expresses appreciation, joy, praise, or thankfulness. It may refer to: People.
The prevalence of calligraphy in Islamic art is not directly related to its non-figural tradition; rather, it reflects the centrality of the notion of writing and written text in Islam. [7] Islamic calligraphy developed from two major styles: Kufic and Naskh. There are several variations of each, as well as regionally specific styles.
[7] [8] In Islamic culture, the patterns are believed to be the bridge to the spiritual realm, the instrument to purify the mind and the soul. [9] David Wade [b] states that "Much of the art of Islam, whether in architecture, ceramics, textiles or books, is the art of decoration – which is to say, of transformation."
Islamic calligraphy has also displayed figurative themes. Examples of this are anthropomorphic and zoomorphic calligrams. [40] Islamic calligraphy forms evolved, especially in the Ottoman period, to fulfill a function similar to figurative art. [41] When on paper, Islamic calligraphy is often seen with elaborate frames of Ottoman illumination. [41]
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