Search results
Results from the WOW.Com Content Network
Download as PDF; Printable version; In other projects ... Solo flute pieces. Pages in category "Solo flute pieces" The following 11 pages are in this category, out of ...
Three Pieces for Solo Clarinet is a solo instrumental work by Igor Stravinsky.The work was composed in 1918. [1] It was published in 1919, shortly after the completion of his Suite from L'Histoire du Soldat, as a thank-you gift to the philanthropist and arts patron Werner Reinhart, who was also an amateur clarinetist. [2]
The Prelude for Clarinet in B-flat major, sometimes also referred to as Prelude for Solo Clarinet, is a work by Polish composer Krzysztof Penderecki.It was composed in 1987 and is one of the pieces from the series of compositions for solo instruments that Penderecki composed during the 1980s, such as Cadenza for Solo Viola (1984) and Per Slava (1986).
Octandre for flute (doubling piccolo), oboe, clarinet, horn, bassoon, trumpet, trombone, and double bass; Heitor Villa-Lobos: Bachianas Brasileiras No. 6 for flute and bassoon; Chôros No. 2 for flute and clarinet; Chôros No. 7 for flute, oboe, clarinet, alto saxophone, bassoon, violin and cello with tam-tam ad lib
The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune.The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave.
In late July, Super Micro's auditor at the time, Ernst & Young (EY), raised concerns about the company's governance, transparency and internal control over financial reporting, prompting its board ...
Syrinx, L. 129, is a piece of music for solo flute which Claude Debussy wrote in 1913. It generally takes three minutes or less to perform. It was the first significant piece for solo flute after the Sonata in A minor composed by C. P. E. Bach over 150 years before (1747 [1]), and it is the first such solo composition for the modern Böhm flute, developed in 1847.
It is the most frequently performed work in the solo bassoon repertoire. [1] Osborne recorded the rhapsody in collaboration with Sol Schoenbach for a 1952 radio program of contemporary American music run by WNYC in New York. The piece's working title was "Study for Bassoon", but Osborne intended to make it playable on clarinet as well.