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In the early 21st century, on 11 September 2007, the 210th anniversary of the Napoleonic looting of the painting from Italy in 1797, a full-sized (6.77 m x 9.94 m) computer-generated (1,591 files), digital facsimile of The Wedding Feast at Cana was hung in the Palladian refectory of the Monastery of San Giorgio Maggiore, which the Giorgio Cini ...
The Wedding at Cana is a popular theme painted by many artists. Italian Renaissance painter Paolo Veronese who was based in Venice painted his version of The Wedding at Cana. The theme is traditionally considered the first miracle attributed to Jesus in the Gospel of John. Jesus Christ, his mother, and his disciples were invited to a wedding.
Joseph and Potiphar's Wife is the only securely attributed work in marble completed by Properzia de' Rossi, the only woman artist in the Italian Renaissance mentioned in the first edition of Giorgio Vasari's Lives of the Most Excellent Painters, Sculptors, and Architects.
Peter Thornton, The Italian Renaissance Interior 1400–1600. (New York: Abrams) 1991 "Cassone - Italian Renaissance Marriage Chest" in Eclectique, 23 September 2009. Helen Webberley, "Marriage, fertility and courtly love in Renaissance Italy: cassone" in Art and Architecture, mainly, 1 February 2011
A depiction of two lovers at a wedding. From the Aldobrandini Wedding fresco. The precise customs and traditions of Weddings in ancient Rome likely varied heavily across geography, social strata, and time period; Christian authors writing in late antiquity report different customs from earlier authors writing during the Classical period, with some authors condemning practices described by ...
Weddings were often postponed until the girl was considered mature enough. The wedding ceremony was in part a rite of passage for the bride, as Rome lacked the elaborate female puberty rituals of ancient Greece. [451] On the night before the wedding, the bride bound up her hair with a yellow hairnet she had woven.
Casket with couples, traces of polychromy, certosina work and naked winged boys above "Wedding casket", with certosina work, and missing parts showing wooden framework, c. 1390–1410 The Embriachi workshop ( Italian : Bottega degli Embriachi ) was an important producer of objects in carved ivory and carved bone , set in a framework of inlaid wood.
The Departure of Bucentaur for the Lido on Ascension Day by Francesco Guardi. The rites of propitiation linked to the sea dates back to antiquity.In his short memoir, the French archaeologist and religious historian Salomon Reinach recalls famous episodes, in particular the throwing by Polycrates, tyrant of Samos, of a precious ring into the sea to appease the gods. [1]