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The beginnings of modern wood engraving techniques developed in the late 17th century, by which time publishers of quality books only used the relief printing of wood blocks for small images in the text such as initials, taking advantage of relief printing blocks to be fitted into the same forme or set-up page as the letterpress type of the text.
The relief family of techniques includes woodcut, metalcut, wood engraving, relief etching, linocut, rubber stamp, foam printing, potato printing, and some types of collagraph. By contrast, in the intaglio family of printing, the recessed areas are printed by inking the whole matrix, then wiping the surface so that only ink in the recessed ...
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later on paper.
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce ...
The artist either draws a design directly on a plank of wood, or transfers a drawing done on paper to a plank of wood. Traditionally, the artist then handed the work to a technician, who then uses sharp carving tools to carve away the parts of the block that will not receive ink. [ 3 ]
Using a handheld gouger to cut a design into linoleum for a linocut print Linocut printing; using a design cut into linoleum to make a print on paper. Since the material being carved has no directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of ...
Low-height pieces of wood or metal furniture are added to make up the blank areas of a page. The printer uses a mallet to strike a wooden block, which ensures tops (and only the tops) of the raised type blocks are all aligned so they will contact a flat sheet of paper simultaneously. Lock-up is the final step before printing.
Fukibokashi requires gradations of ink to be applied to the printing block. This is not a precise technique; its results are inconsistent from print to print. [1] The technique ichimonji bokashi (一文字ぼかし, "straight-line bokashi") is the one associated with the works of Hokusai and Hiroshige to represent the horizon, sea, or sky.