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The tune known as "Roll, Jordan, Roll" may have its origins in the hymn "There is a Land of Pure Delight" written by Isaac Watts [1] in the 18th century. It was introduced to the United States by the early 19th century, in states such as Kentucky and Virginia, as part of the Second Great Awakening, and often sung at camp meetings.
This generated two distinctive African American slave musical forms, the spiritual (sung music usually telling a story) and the field holler (sung or chanted music usually involving repetition of the leader's line). [1] We Are Climbing Jacob's Ladder is a spiritual. [1] As a folk song originating in a repressed culture, the song's origins are lost.
Alvin Ailey made "Rocka My Soul in the Bosom of Abraham" [4] the music for the triumphant finale of his internationally known choreography Revelations, which was born out of the choreographer's "blood memories" of his childhood in rural Texas and attending the Baptist Church with his mother. [5]
"The Gospel Train (Get on Board)" is a traditional African-American spiritual first published in 1872 as one of the songs of the Fisk Jubilee Singers. [2] A standard Gospel song, it is found in the hymnals of many Protestant denominations and has been recorded by numerous artists. The first verse, including the chorus is as follows:
Gospel Plow" (also known as "Hold On" and "Keep Your Hand on the Plow") is a traditional African American spiritual. It is listed in the Roud Folk Song Index , number 10075. The title is biblical, based on Luke 9:62.
It became the first spiritual known to be recorded in sheet music. While the Reverend Lewis Lockwood, the chaplain of the Contrabands, was visiting Fortress Monroe in 1861, he heard runaway enslaved people singing the song, transcribed what he heard, and eventually published it in the National Anti-Slavery Standard . [ 12 ]
Lord, I Want to Be a Christian is an African American spiritual. It was likely composed in 1750s Virginia by enslaved African-American persons exposed to the teaching of evangelist Samuel Davies. [1] The music and lyrics were first printed in the 1907 Folk Songs of the American Negro, edited by Frederick J. Work.
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