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The mandolin has been a core instrument in bluegrass music from the beginning, along with guitar, fiddle, banjo, upright bass, and sometimes dobro. In the performance of bluegrass music, each instrument has a specific part to play. The mandolin fills three roles at different times during a tune.
The fiddle was the central instrument in Cajun sound until the twenties when it was somewhat eclipsed by the accordion, both in Canada and the United States. In the early 1930s strings once again dominated. Mandolins, pianos, and banjos joined fiddles to create a jazzy swing beat strongly influenced by the western swing of Texas. [8]
The piccolo or sopranino mandolin is a rare member of the family, tuned one octave above the mandola and one fourth above the mandolin (C 4 –G 4 –D 5 –A 5); the same relation as that of the piccolo (to the western concert flute) or violino piccolo (to the violin and viola). One model was manufactured by the Lyon & Healy company under the ...
Reflecting the cultures that settled North America, the roots of old-time music are in the traditional musics of the British Isles, [2] Europe, and Africa. African influences are notably found in vocal and instrumental performance styles and dance, as well as the often cited use of the banjo; in some regions, Native American, Spanish, French and German sources are also prominent. [3]
The mandolin has become a more common instrument amongst Irish traditional musicians. Fiddle tunes are readily accessible to the mandolin player because of the equivalent tuning and range of the two instruments, and the practically identical (allowing for the lack of frets on the fiddle) left-hand fingerings.
Holmes became a member of Hornsby’s touring band, the Noisemakers, and from 2014–2017 played fiddle and mandolin on tour and on Hornsby's latest studio release, Rehab Reunion. Holmes became indispensable to the new sound of the band but left in 2018 when he was invited to become a member of the Nitty Gritty Dirt Band .
Pandolfi and Eldridge soon followed Andy Hall to Nashville, Tennessee, where they met Hall's Ronnie Bowman Committee bandmates Jesse Cobb (mandolin) and Jeremy Garrett (fiddle). The group then held an audition for a possible bassist in the fall of 2005, where they found Travis Book.
The scale length of the octave mandolin is longer than that of the mandolin, and varies more widely, from 19 inches (480 mm) to 24 inches (610 mm), with 21 inches (530 mm) being typical. The internal bracing is similar to the mandolin and mandola, with a single transverse brace on the top just below the oval sound hole.