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The stable is just outside the city walls, with the shepherds on the hill behind; Slovakia, c. 1490. The scope of the subject matter which relates to the Nativity story begins with the genealogy of Jesus as listed in the Gospels of both Matthew and Luke.
The composition draws much from the 1420 Nativity of van der Weyden's master, Robert Campin, in Dijon. The stable is a half-ruined thatched Romanesque building, rather than the traditional wooden hut, with stone walls and arched windows, and one prominent classical pillar, uniquely in van der Weyden's work shown in an oblique perspective view.
The Nativity or birth of Jesus Christ is found in the biblical gospels of Matthew and Luke.The two accounts agree that Jesus was born in Bethlehem, in Roman-controlled Judea, that his mother, Mary, was engaged to a man named Joseph, who was descended from King David and was not his biological father, and that his birth was caused by divine intervention.
The Mystical Nativity or Adoration in the Forest was painted by Fra Filippo Lippi (c. 1406 – 1469) around 1459 as the altarpiece for the Magi Chapel in the new Palazzo Medici in Florence. [1] It is now in the Gemäldegalerie, Berlin , [ 2 ] with a copy by another artist now hanging in the chapel. [ 3 ]
(1) Narthex; (2) nave; (3) aisles. The Grotto of the Nativity is situated right underneath the chancel, with the silver star at its eastern end (top side of the plan). North is to the left. The centrepiece of the Nativity complex is the Grotto of the Nativity, a cave which enshrines the site where Jesus is said to have been born.
Similarly, in the Nativity at Night of Geertgen tot Sint Jans, the annunciation to the shepherds is seen on a hillside through an opening in the stable wall. The Angel Appearing to the Shepherds, Govert Flinck, 1639 The Angel appearing to the Shepherds, fresco of the 12th century, Basilica of San Isidoro, León
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