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The standard concert flute, also called C flute, Boehm flute, silver flute, or simply flute, is pitched in C and has a potential range of three and a half octaves starting from the note C 4 . The flute's highest pitch is usually given as C 7 or (in more modern flute literature) D 7.
Gold plated - gold layer thickness greater than or equal to 0.5 micron; Heavy gold plated / Vermeil - gold layer thickness greater than or equal to 2.5 micron; Gold plated silver jewellery can still tarnish as the silver atoms diffuse into the gold layer, causing slow gradual fading of its color and eventually causing tarnishing of the surface ...
Silver plating is common on all brass mouthpieces because it is cost-effective and good in terms of tone quality. It is also moderately germicidal. Silver plating is not as comfortable [citation needed] or as expensive as gold, but has properties and qualities that some feel facilitate certain styles of playing [dubious – discuss].
The Deluxe is also available with a gold-plated mouthpiece and coverplates, known as the Super Chromonica Gold. [9] The Educator 10 is a 10-hole, 40-reed chromatic harmonica built on a plastic comb. It is designed without the valve or windsaver technology found in many other chromatics, and because of its ten holes, it is smaller than most ...
Trumpet mouthpieces have a taper as well. See Vincent Bach Mouthpiece Manual, page 3 (on the PDF its page 5) for an example diagram of a trumpet mouthpiece.--Dbolton 23:38, 2 December 2007 (UTC) I took the photo, and it is of my mouthpiece, and I use it in my trumpet :) - Zephyris Talk 12:06, 27 January 2008 (UTC)
Ludwig van Beethoven: . Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93)
Buescher Grand: Silver plated, with gold plated engraving on the bell; Buescher 400: This model had a 12.7 mm (0.500 in) bore. Early examples had slanted braces on the bell section, and slide tubes that were offset by length, with the upper tube roughly 5 cm (2 in) behind the lower (thus making the end bow of the slide slanted as well).
In the 1930s, an 11-hole, fully chromatic version of the dizi was created called the xindi (新笛), pitched in the same range as the western flute. However, the modified dizi's extra tone holes prevent the effective use of the membrane, so this instrument lacks the inherent timbre of the traditional dizi family.
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