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Goya created the series while he lived in his house near Manzanares (Quinta del Sordo) on the walls of which he painted the famous Black Paintings. When he left to France and moved in Bordeaux in 1824, he left these works in Madrid apparently incomplete.
Portrait of Goya by Vicente López Portaña, c. 1826. Museo del Prado, Madrid. Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings.
The Milkmaid of Bordeaux (Spanish: La lechera de Burdeos) [1] is an oil-on-canvas painting completed between 1825 and 1827, generally attributed to the Spanish artist Francisco Goya (1746–1828). This painting is believed to be one of Goya's last works, completed the year before his death, and considered one of Goya's masterpieces.
Francisco de Goya was born in Fuendetodos, Aragón, Spain, on 30 March 1746 to José Benito de Goya y Franque and Gracia de Lucientes y Salvador. The family had moved that year from the city of Zaragoza , but there is no record of why; likely, José was commissioned to work there. [ 4 ]
It is signed "Goya in 1795" in the lower right corner. It is in the collection of the Museo del Prado, Madrid, having been acquired from a private collection. Goya portrayed María Cayetana de Silva a number of other times, notably The White Duchess of the same year and the 1797 Portrait of the Duchess of Alba.
Los Caprichos lack an organized and coherent structure, but they have important thematic nuclei. The most prevalent themes are: the superstition around witches, which predominates after Capricho No. 43 and that serves to express ideas about evil in a tragicomic way; the life and behavior of friars; erotic satire relating to prostitution and the role of the matchmaker; and to a lesser extent ...
Pages in category "Paintings by Francisco Goya in the Museo del Prado" The following 37 pages are in this category, out of 37 total. This list may not reflect recent changes .
During the late eighteenth and early nineteenth century in Spain, Goya's paintings and etchings combined artistic innovation with social criticism to create visually-satirical works. Goya created numerous portraits of Spanish royalty that were quite realistic, and completed these portraits with jarring social commentary that marked a departure ...