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Watercolor portrait of Jane Austen (1775–1817) painted around 1810, by her sister Cassandra Austen. National Portrait Gallery, London.. The causes of Jane Austen's death, which occurred on July 18, 1817 at the age of 41, following an undetermined illness that lasted about a year, have been discussed retrospectively by doctors whose conclusions have subsequently been taken up and analyzed by ...
Jane Austen (/ ˈ ɒ s t ɪ n, ˈ ɔː s t ɪ n / OST-in, AW-stin; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment upon the English landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage for ...
The Plan became a sort of family joke among the Austens. Some of its aspects parody contemporary works by authors such as Sophie Cottin, Fanny Burney, Anna Maria Porter, and Mary Brunton. [10] The satire of the Plan was analysed by Austen's nephew James Edward Austen-Leigh, in his biography A Memoir of Jane Austen (1869, expanded edition 1871).
Lady Susan Vernon; Lady Susan Vernon is aged about 35 or 36 years old (middle-aged for the time). She is the daughter of an earl. [1] She is a widow of just a few months, who is known to flagrantly manipulate and seduce single and married men alike.
Mary Crawford is a major character in Jane Austen's 1814 novel, Mansfield Park. Mary is depicted as attractive, caring and charismatic. The reader is gradually shown, often through the eyes of Fanny Price, a hidden, darker side to Mary's personality. Her wit disguises her superficiality and her charisma disguises her self-centredness.
Jane Austen's Sense and Sensibility (1811) is most often seen as a "witty satire of the sentimental novel", [9] [full citation needed] by juxtaposing values of the Age of Enlightenment (sense, reason) with those of the later eighteenth century (sensibility, feeling) while exploring the larger realities of women's lives, especially through ...
Catharine (Kitty) Percival (the name is sometimes given as Peterson) is an orphan, ward of her aunt, Mrs. Percival, who is strict with her. Kitty has lost her dear friends, Cecilia and Mary Wynne, whose clergyman father's death scattered the family; Cecilia Wynne was sent to India to be married to a much older man she dislikes, and Mary is serving as a companion in the household of a distant ...
Feminist critics also focus on the role of the female artist in Austen's fiction. For example, Claudia Johnson views Emma as a powerful heroine, an artist who controls her home, her marriage choice, her community and her money. Emma composes stories for people's lives and thereby represents the figure of the female artist. [103]