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In music theory, an interval is a difference in pitch between two sounds. [1] An interval may be described as horizontal, linear, or melodic if it refers to successively sounding tones, such as two adjacent pitches in a melody, and vertical or harmonic if it pertains to simultaneously sounding tones, such as in a chord.
It is notated by writing the pitches to be alternated as a melodic interval, with both notes receiving the rhythmic value of the total duration of the tremolo (e.g. two half-notes for a tremolo lasting a half-note), and then either connecting them with beams, or else interpolating strokes, with the number of beams or strokes corresponding to ...
Below is a list of intervals expressible in terms of a prime limit (see Terminology), completed by a choice of intervals in various equal subdivisions of the octave or of other intervals. For commonly encountered harmonic or melodic intervals between pairs of notes in contemporary Western music theory , without consideration of the way in which ...
Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape.
Melodic motion in which the interval between any two consecutive pitches is no more than a step, or, less strictly, where skips are rare, is called stepwise or conjunct melodic motion, as opposed to skipwise or disjunct melodic motion, characterized by frequent skips.
In the second edition of The New Grove Dictionary of Music and Musicians, Paul Griffiths, Mark Lindley, and Ioannis Zannos define "microtone" as a musical rather than an acoustical entity: "any musical interval or difference of pitch distinctly smaller than a semitone", including "the tiny enharmonic melodic intervals of ancient Greece, the ...
Melodic motion: ascending vs. descending X conjunct vs. disjunct Melodic motion is the quality of movement of a melody , including nearness or farness of successive pitches or notes in a melody . This may be described as conjunct or disjunct, stepwise, skipwise or no movement , respectively.
For example, the interval between C and E (four half steps) is a major third, which can imply a C major chord, made up of the notes C, E and G. [3] In a triadic context chords with omitted thirds may be considered "indeterminate" triads. [4] Play ⓘ Melodic and harmonic intervals, respectively above and below. Play ⓘ