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  2. Hirajōshi scale - Wikipedia

    en.wikipedia.org/wiki/Hirajōshi_scale

    Hirajōshi scale, or hira-choshi (Japanese: 平調子, Hepburn: hirachōshi, chōshi = tuning and hira = even, level, tranquil, standard or regular) is a tuning scale adapted from shamisen music by Yatsuhashi Kengyō for tuning of the koto. [1] "

  3. Stringed instrument tunings - Wikipedia

    en.wikipedia.org/wiki/Stringed_instrument_tunings

    Tuning is flexible, but the courses are always a fourth apart. Sanshin: 3 strings 3 courses. Standard/common: C 3 • F 3 • C 4. Alternates: Ichi-agi chōshi: E ♭ 3 • F 3 • C 4; Ni-agi chōshi: C 3 • G 3 • C 4; Ichi, ni-agi chōshi: D 3 • G 3 • C 4; San-sage chōshi: C 3 • F 3 • B ♭ 3; Okinawa shamisen, jabisen Ryukyu ...

  4. Heike Shamisen - Wikipedia

    en.wikipedia.org/wiki/Heike_Shamisen

    The heike shamisen is usually tuned in ni agari," which means "raised two" or "raised second," which is a reference to the fact that the pitch of the second string is raised from a base tuning called honchoshi." Normally, the shamisen is tuned so that the first and third strings are tuned to an octave, and the second string is tuned to a fourth ...

  5. Shamisen - Wikipedia

    en.wikipedia.org/wiki/Shamisen

    The heike shamisen (平家) is a shamisen particularly fashioned for the performance of the song Heike Ondo, a folk tune originating from Shimonoseki, Yamaguchi Prefecture. The neck of the heike shamisen is about half the length of most shamisen , giving the instrument the high range needed to play Heike Ondo .

  6. Insen scale - Wikipedia

    en.wikipedia.org/wiki/Insen_scale

    Insen (or In Sen; kanji: 陰旋; hiragana: いんせん) is a tuning scale adapted from shamisen music by Yatsuhashi Kengyō for tuning of the koto. It only differs from the hirajoshi scale by one note. In D mode it consists of: D-E ♭-G-A-C [1] so it has the same notes as the Phrygian chord (7sus♭9).

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  8. Japanese musical scales - Wikipedia

    en.wikipedia.org/wiki/Japanese_musical_scales

    A variety of musical scales are used in traditional Japanese music.While the Chinese Shí-èr-lǜ has influenced Japanese music since the Heian period, in practice Japanese traditional music is often based on pentatonic (five tone) or heptatonic (seven tone) scales. [1]

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