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Rachmaninoff in front of a giant Redwood tree in California, 1919. The Études-Tableaux ("study paintings"), Op. 39, is the second of two sets of piano études composed by Sergei Rachmaninoff. Op. 39 was composed sometime between 1916 and 1917 [1] and were among the final works composed by Rachmaninoff before his exit from Russia. [2]
Rachmaninoff, pictured here at age 10, produced most of the pieces not included in his opus before he was 14. The composer Sergei Rachmaninoff produced a number of solo piano pieces that were either lost, unpublished, or not assigned an opus number. While often disregarded in the concert repertoire, they are nevertheless part of his oeuvre.
No. 4, Mélodie in E minor; No. 5, Humoresque in G major (revised in 1940) No. 6, Romance in F minor; No. 7, Mazurka in D ♭ major; 1894 Four Improvisations (with Arensky, Glazunov, Taneyev) 1896 16: Six moments musicaux. No. 1 Andantino in B ♭ minor; No. 2 Allegretto in E ♭ minor; No. 3 Andante cantabile in B minor; No. 4 Presto in E ...
The original No. 4 is lost; the piece was revised and published as Op. 39, No. 6. [4] The original Nos. 3 and 5 were published posthumously within Op. 33. [ 4 ] Probably best identified by their tempo markings and keys, the 1911 pieces are numbered by the International Music Score Library Project (IMSLP) as follows, [ 5 ] leaving aside the ...
Rachmaninoff Corelli theme. Variations on a Theme of Corelli (Russian: Вариации на тему А. Корелли, Variatsii na temu A. Korelli), Op. 42, is a set of variations for solo piano, written in 1931 by the Russian composer Sergei Rachmaninoff. He composed the variations at his holiday home in Switzerland.
Sergei Rachmaninoff's Trio élégiaque No. 2 in D minor, Op. 9 is a piano trio which he began composing on 25 October 1893 and completed on 15 December that year. It was written in memory of Tchaikovsky and was inscribed with the dedication "In Memory of a Great Artist". [1]
The ending, a coda in Prestissimo (very quick), = 116, is a final, sweeping reiteration of the theme that closes in a heavy E minor chord, [14] which revisits Rachmaninoff's preoccupation with bell sounds, prominent in his Piano Concerto No. 2 and Prelude in C ♯ minor (Op. 3, No. 2). [1]
List of compositions by Sergei Rachmaninoff Metadata This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.