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"Ride Like the Wind" was the first song recorded for Cross's eponymous album and was tracked by Cross's band of Tommy Taylor on drums, Andy Salman on bass, and Rob Meurer on synthesizers. After the first day of recording, Cross's producer Michael Omartian noticed that the band had struggled to become accustomed to the studio. "They were great ...
The track is one of several that reflects the band's maturing songwriting. The lyrics are similar to those found in Western music. [2] "Ride the Wind" reached number 25 on the mainstream rock charts and the 38 position on the Billboard Hot 100.
The title, and the album's title track, is a double entendre that combines and confuses the idiom "make like the wind" (also possibly a reference to the Christopher Cross song "Ride Like the Wind", famously covered by British heavy metal band Saxon) with "break wind", a euphemism for flatulence.
List of songs on the BASF 4|1 tape that includes "Subways of Your Mind" (mislabelled as "Blind the Wind") and a question mark indicating that the artist was unknown A German teenager named Darius S. recorded the song from a radio program on the North German public radio station Norddeutscher Rundfunk (NDR) in the 1980s.
"Arthur's Theme (Best That You Can Do)" is a song performed and co-written by American singer-songwriter Christopher Cross as the main theme for the 1981 film Arthur, starring Dudley Moore and Liza Minnelli. It was recognized as the year's Best Original Song at both the 54th Academy Awards and 39th Golden Globe Awards. [2]
Like the Wind may refer to: Like the Wind, a 2013 Italian biopic "Like the Wind", Belgian entry to the Eurovision Song Contest 1999 "Subways of Your Mind" by Fex, nicknamed "Like the Wind" during the song's search after its opening lyrics
Running Like the Wind is The Marshall Tucker Band's ninth studio album (including the band's 1978 compilation, Greatest Hits) with its title track, "Running Like the Wind," being one of the band's most popular songs. The more jazzy "Last of the Singing Cowboys" was the single from the album, reaching #42 on the US Billboard Hot 100.
The song was a success in the United States, reaching number one on the Billboard Hot 100 chart on August 30, 1980, where it stayed for one week. [1] [2] The song also won Grammy Awards for Record of the Year, Song of the Year, and Arrangement of the Year, and helped Cross win the Best New Artist award. [3]