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The Fearless Four (also known as Fearless 4 and Fearless Four) is an American old school hip hop group from Harlem, New York. The group is best known for its 1982 single "Rockin' It", [ 1 ] which was based on the Kraftwerk track " The Man-Machine ", [ 2 ] and was featured in the 1983 documentary Style Wars .
Brian Coogan is a keyboardist and vocalist from New Orleans, Louisiana. A versatile musician, Coogan plays in many different contexts and projects, ranging from funk to jazz to rock , including many subgenres within. [ 1 ]
Brian Mitchell is a musical artist who records and performs his own original music. He has also worked with artists such as Levon Helm & The Midnight Ramble Band, Bob Dylan , BB King , Al Green , Dolly Parton , Buster Poindexter , and Allen Toussaint .
Smith was born in Carbondale, Illinois and moved to Canby, Oregon when he was three. [2] According to his website, "Brian was inspired by his older brother to begin playing guitar at the age of fourteen and start recording one year later.
Brian Culbertson (born January 12, 1973) is an American smooth jazz/R&B/funk musician and producer. His instruments include the synthesizer , piano and trombone . Early life and career
Brian Free & Assurance is a Southern gospel group. Brian Free formed the group in 1993 after performing with the Gold City Quartet from 1982-1994. Since being formed, the group has released multiple albums.
The English version of the album entitled Fearless was released in November 1983. Produced by Giorgio Moroder and Keith Forsey, the album was a major musical departure from her previous mostly new wave material. Unlike her experimental album NunSexMonkRock (1982), Fearless is a dance-pop album with influence of disco.
Priestley taught jazz piano at Goldsmiths College from 1977 until 1993, and has taught jazz history for various other universities and conservatoires over the years. Priestley has also written biographies of Charles Mingus , John Coltrane and Charlie Parker , [ 2 ] as well as the book Jazz on Record: A History .
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