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The play was written in Middle English during the Tudor period, but the identity of the author is unknown. Although the play was apparently produced with some frequency in the seventy-five years following its composition, no production records survive. [1] There is a similar Dutch-language morality play of the same period called Elckerlijc.
The play is often considered the best of Middle English Abraham plays, humane in its treatment of infanticide, inventive in its language; [1] Lucy Toulmin Smith, a nineteenth-century editor, found it to be superior to others of the period on the same subject and in the twentieth century George K. Anderson thought the play, its "human qualities ...
Mankind is an English medieval morality play, written c. 1470. The play is a moral allegory about Mankind, a representative of the human race, and follows his fall into sin and his repentance. Its author is unknown; the manuscript is signed by a monk named Hyngham, believed to have transcribed the play.
Full text versions of text of The Second Shepherd's Play at Project Gutenberg. "Middle English Play Texts." Full text resources from the Luminarium: Anthology of English Literature. "The Second Shepherds' Play and Early English Theater." A three-part series on the Mystery Plays with Richard Paul of the Folger Shakespeare Library.
The 1522 cover of Mundus et Infans, a morality play. The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts (most often virtues and vices, but sometimes practices or habits) alongside angels and demons, who ...
Middle English literature is written, then, in the many dialects that correspond to the history, culture, and background of the individual writers. While Anglo-Norman or Latin was preferred for high culture and administration, English literature by no means died out, and a number of important works illustrate the development of the language.
The plays were organised, financed and performed by the York Craft Guilds ("Mystery" is a play on words, representing a religious truth or rite, and its Middle English meaning of a trade or craft). The wagons were paraded through the streets of York, stopping at 12 playing stations, designated by the city banners.
Additionally, a fifteenth-century play of the life of Mary Magdalene, The Brome Abraham and Isaac and a sixteenth-century play of the Conversion of Saint Paul exist, all hailing from East Anglia. Besides the Middle English drama, there are three surviving plays in Cornish known as the Ordinalia. These biblical plays differ widely in content.