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A film editor at work in 1946. Every film today, whether it be live-action, computer generated, or traditional hand-drawn animation is made up of hundreds of individual shots that are all placed together during editing to form the single film that is viewed by the audience. The shot transition is the way in which two of these individual shots ...
In the post-production process of film editing and video editing, a cut is an abrupt, but usually trivial film transition from one sequence to another. [1] It is synonymous with the term edit, though "edit" can imply any number of transitions or effects. The cut, dissolve, and wipe serve as the three primary transitions. The term refers to the ...
A matrix wipe is a patterned transition between two images. The matrix wipe can be various patterns such as a grid, stars, etc. A clock wipe is a wipe that sweeps a radius around the center point of the frame to reveal the subsequent shot, like the sweeping hands of an analog clock. Because of this similarity, it is often used to indicate that ...
Film editing is an extremely important tool when attempting to intrigue a viewer. When done properly, a film's editing can captivate a viewer and fly completely under the radar. Because of this, film editing has been given the name “the invisible art.” On its most fundamental level, film editing is the art, technique and practice of ...
A transition that is detected correctly is called a hit, a cut that is there but was not detected is called a missed hit and a position in that the software assumes a cut, but where actually no cut is present, is called a false hit. An introduction to film editing and an exhaustive list of shot transition techniques can be found at film editing.
A dissolve transition between two still images. In the post-production process of film and video editing, a dissolve (sometimes called a lap dissolve) is a type of film transition in which one sequence fades over another. The terms fade-out (also called fade to black) and fade-in are used to
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