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Shostakovich and Sviatoslav Richter played the Ninth Symphony in a four-hand arrangement for musicians and cultural officials in early September 1945. The premiere, conducted by Yevgeny Mravinsky, took place on 3 November 1945 in the opening concert of the 25th season of the Leningrad Philharmonic Orchestra, sharing the program with Tchaikovsky's Symphony No. 5.
The 24 Preludes and Fugues, Op. 87 by Dmitri Shostakovich are a set of 24 musical pieces for solo piano, one in each of the major and minor keys of the chromatic scale.The cycle was composed in 1950 and 1951 while Shostakovich was in Moscow, and premiered by pianist Tatiana Nikolayeva in Leningrad in December 1952; [1] it was published the same year.
Three pieces for bassoon and piano, Op. 18 (1899–1907) Sonata for bassoon and piano, Op.71 (1918) Silhouettes de comédie, 12 pieces for bassoon and orchestra, Op. 193 (1942–1943) György Kurtág: Játékok és üzenetek for solo bassoon (1986–2001) Mary Jane Leach: Feu de Joie for solo bassoon and six taped bassoons (1992)
[9] 2 Eight Preludes Piano 1919–1921 Manuscript was destroyed by Shostakovich, but copies survived. [12] Five Preludes Piano 1921 Selected by Shostakovich from the Eight Preludes as his contribution to an incomplete collaborative cycle of 24 preludes in all keys composed with fellow students Grigori Klements and Pavel Feldt. [12]
Shostakovich's friend Ivan Sollertinsky noted that, "the music is significantly tougher and more astringent than the Fifth or the Seventh and for that reason is unlikely to become popular". [12] The symphony was criticized by Sergei Prokofiev and others at a Composers' Plenum in March 1944, [ 13 ] and after the Zhdanov decree of 1948 it was ...
After this a slower, two-part section follows, with a bassoon solo introduced by a solo clarinet; then a soft recapitulation of the opening theme is played by the strings. The movement's brief coda repeats fragments of the "invasion" theme, played by a solo trumpet and percussion.
The piano features for the first time with rapid scalic runs before a more sombre mood develops in the Meno mosso section. Here Shostakovich writes a triple-time passage in two, with melodies being passed through the flutes, clarinets, strings, oboes, piccolos, and the clarinets again, while the strings and triangle play in the background.
Pastoral and Burlesque for flute and piano (1980) Three pieces for Clarinet Solo (1983) Introduction and Three Canzones, for flute, bassoon, violin, cello and piano (from the Opera Buffa "Plutni Skapena") (1995) Retro-music for brass quintet (Brass quintet of the Chicago Symphony orchestra) (2 trumpets, French horn, trombone) (2003) Piano Works
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