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The đàn bầu (Vietnamese: [ɗàːn.ɓə̀w]; "gourd zither"; Chữ Nôm: 彈匏), also called độc huyền cầm (獨絃琴, "one-string zither"; the name is only used by the Jing ethnicity in China) is a Vietnamese stringed instrument, in the form of a monochord (one-string) zither.
Klông pút - Bamboo tube xylophone; hands are clapped near ends of tubes to produce musical tones; Đàn tre ("bamboo instrument") - A hybrid form of the Vietnamese plucked string instrument, similar to a Đàn tính, called a Đàn tre, was created by Nguyễn Minh Tâm, who escaped from Vietnam in 1982 and ultimately settled in Australia ...
The duxianqin is a Chinese plucked string instrument with only one string; it is derived from the Vietnamese đàn bầu. Chinese sources describe duxianqin as being an instrument of the Jing (also spelled Gin or Kinh) ethnic group, who are ethnic Vietnamese living in China. [1] It is still commonly played by this ethnic group.
The đàn tranh (Vietnamese: [ɗâːn ʈajŋ̟], 彈 箏) or đàn thập lục [1] is a plucked zither of Vietnam, based on the Chinese guzheng, from which are also derived the Japanese koto, the Korean gayageum and ajaeng, the Mongolian yatga, the Sundanese kacapi and the Kazakh jetigen. It has a long soundbox with the steel strings, movable ...
The Khamu have more than one kind of bamboo-tube zither, with bamboo strings. [14] The bring is a parallel string zither, used fur percussion. [ 14 ] Like other parallel-string percussive bamboo zithers, it has two stings cut from the bamboo, the stings linked together with a thin piece of bamboo, a small hole cut into the tube wall below The ...
Se (Chinese: 瑟; pinyin: sè) – 25-stringed zither with movable bridges (ancient sources say 14, 25 or 50 strings) [citation needed] Zheng – 16–26 stringed zither with movable bridges; Konghou – harp; Huluqin (葫芦琴) – four-stringed lute with gourd body used by the Naxi people of Yunnan
Strings were historically of natural materials, such as vegetable fibers or "cow sinew". [6] One long piece of string is put through the holes or in the notches, back and forth from end to end, creating segments of individual strings. [14] [6] The ends of the string may be held in place, wrapped around a wooden peg, anchoring the string.
The jetigen is played by plucking, in a similar manner to the gusli, tube zither or box zither. The most ancient type of zhetygen had seven strings over a box shape hollowed out of a block of wood. Such zhetygen did not have the upper sounding board and pins. The strings were stretched by hand from the outer side of the instrument.
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