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Ecofiction (also "eco-fiction" or "eco fiction") is the branch of literature that encompasses nature or environment-oriented works of fiction. [1] While this super genre's roots are seen in classic, pastoral, magical realism, animal metamorphoses, science fiction, and other genres, the term ecofiction did not become popular until the 1960s when various movements created the platform for an ...
Nature writing encompasses a wide variety of works, ranging from those that place primary emphasis on natural history (such as field guides) to those focusing on philosophical interpretation. It includes poetry, essays of solitude or escape, as well as travel and adventure writing.
The novel would be an experiment where the author could discover and analyze the forces, or scientific laws, that influenced behavior, and these included emotion, heredity, and environment. The movement largely traces to the theories of French author Émile Zola .
Detective novels generally begin with a mysterious incident (e.g., death). One of the most popular examples is the Sherlock Holmes stories; well-known detective novelists include Agatha Christie and Raymond Chandler. [6] Gong'an; Girl detective; Inverted detective story (aka howcatchem) Occult detective; Hardboiled; Historical mystery; Locked ...
A list of light novel (ライトノベル, raito noberu) titles. Series that have been licensed for U.S. publication (in part or in full) are in bold. Series that have been licensed for U.S. publication (in part or in full) are in bold.
A light novel (ライトノベル, raito noberu) is a style of Japanese young adult fiction primarily targeting high school and middle school students. [1] The term "light novel" is a wasei-eigo, or a Japanese term formed from words in the English language. [2] or, in English, LN. The average length of a light novel is about 50,000 words.
John Richard Jefferies (6 November 1848 – 14 August 1887) was an English nature writer, noted for his depiction of English rural life in essays, books of natural history, and novels. His childhood on a small Wiltshire farm had a great influence on him and provides the background to all his major works of fiction.
Lisa Yaszek states that in the early 1930s, the editor of Amazing Stories, scientist and science journalist T. O'Conor Sloane, wrote " 'mundane science fiction' before that term ever existed, and he banned faster-than-light travel from science fiction stories" in the magazine, so writers began using "dream narratives... as a way to travel through time and space and time."