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Tamil Christian Keerthanai or kīrttaṉai (Keerthanai meaning Songs of Praise) are devotional Christian songs in Tamil. They are also referred to as "lyrics" (a genre term) by Tamils in English. These are mostly a collection of indigenous hymns written by Protestant Tamil Christian poets.
A devotional is a part of the prayer service proper and is not, in these contexts, ornamentation. Within the Reformed tradition, church music in general was hotly debated; some Puritans objected to all ornament and sought to abolish choirs, hymns, and, inasmuch as liturgy itself was rejected, devotionals. In Eastern and Near-Eastern religions ...
Kanda Sashti Kavasam or Skanda Shashti Kavacham (Tamil: கந்த சஷ்டி கவசம்) is a Hindu devotional song composed in Tamil by Devaraya Swamigal (born c. 1820), [1] a student of Meenakshi Sundaram Pillai, on Murugan, the son of Shiva, in Chennimalai near Erode. It was composed in the 19th century.
The composers belonging to the Tamil Trinity of Muthu Thandavar (1560 - 1640 CE), Arunachala Kavi (1712–1779) and Marimutthu Pillai (1717–1787) composed hundreds of devotional songs in Tamil and helped in the evolution of Carnatic music.
Late Chola, Tamil Nadu. Vinayagar Agaval is a devotional poetic hymn to the Hindu deity Ganesha. It was written in the 10th century during the Chola dynasty by the Tamil poet Avvaiyar, shortly before her death. [1] It is considered to be her greatest poem. [2] The 72-line 'Agaval' is a form of blank verse, close to speech.
Tirumurai contains 313 hymns of Appar over volumes 4-7. His hymns are highly devotional, with some containing criticism of Jainism as he experienced it. [7] Sundarar (alias Sundaramurthi) was born towards the end of the 7th century. [7] He is the author of 100 hymns compiled as the 7th Tirumurai. [7]
A Bhajan in Hindu traditions is an informal, loosely structured devotional song with music in a regional language. [19] They are found all over India and Nepal, but are particularly popular among the Vaishnav traditions such as those driven by devotion to avatars of Vishnu such as Krishna, Rama, Vitthal and Narayana (often with their consorts).
The Emory Hymnal: a collection of sacred hymns and music for use in public worship (1887) [464] Selection of Hymns, for the use of the first M. E. Church, [465] Cape May City [466] The Emory Hymnal: No. 2, sacred hymns and music for use in public worship (1891) [467] Hymnal of the Methodist Episcopal Church (1891) [468]
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