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Claude is a family of large language models developed by Anthropic. [1] [2] The first model was released in March 2023.The Claude 3 family, released in March 2024, consists of three models: Haiku, optimized for speed; Sonnet, which balances capability and performance; and Opus, designed for complex reasoning tasks.
Liederkreis, Op. 39, is a song cycle composed by Robert Schumann. Its poetry is taken from Joseph von Eichendorff's collection entitled Intermezzo. Schumann wrote two cycles of this name – the other being his Opus 24, to texts by Heinrich Heine – so this work is also known as the Eichendorff Liederkreis. Schumann wrote, "The voice alone ...
Three Latin Motets, Op. 38, is a collection of three sacred motets based on Latin texts for mixed unaccompanied choir by Charles Villiers Stanford, comprising Justorum animae, Coelos ascendit hodie and Beati quorum via. The texts come from different sources, and the scoring is for four to eight parts. They were published by Boosey & Co in 1905 ...
He also introduced variations in the proportions of the sonnet, from the 10 1 ⁄ 2 lines of the curtal sonnet "Pied Beauty" to the amplified 24-line caudate sonnet "That Nature is a Heraclitean Fire". Though they were written in the later Victorian era, the poems remained virtually unknown until they were published in 1918.
The Serenade for Tenor, Horn and Strings, Op. 31, is a song cycle written in 1943 by Benjamin Britten for tenor, solo horn and a string orchestra.Composed during the Second World War at the request of the horn player Dennis Brain, it is a setting of a selection of six poems by English poets on the subject of night, including both its calm and its sinister aspects.
Trinità dei Monti atop the scalinata. Drei Motetten (Three motets), Op. 39, is a collection of three sacred motets for women's voices and organ by Felix Mendelssohn. Composed in 1830 for different liturgical occasions and in different scoring, they were published together in 1838.
The work is the earliest in which Schoenberg employs a row of "12 tones related only to one another" in every movement: [citation needed] the earlier 5 Stücke, Op. 23 (1920–23) employs a 12-tone row only in the final waltz movement, and the Serenade, Op. 24, uses a single row in its central Sonnet.
Sonatina, Op. 130 (1946) for bassoon (or cello) and piano; Sonata for viola and violoncello, Op. 144 (1950) Sonata for violin and violoncello, Op. 148 (1950) Sonata for violoncello and harp, Op. 208 (1967) From the set of Greeting Cards, Op. 170 [1] Valse on the Name of Gregor Piatigorsky, Op. 170/3; Works without Opus