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The Mass is an album released in 2003 by Eric Lévi's musical project Era.It is Era's third album. It achieved success in several European countries. The title track, "The Mass", is an adaptation of O Fortuna, a classical piece by Carl Orff.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The second is a link to the article that details that symbol, using its Unicode standard name or common alias. (Holding the mouse pointer on the hyperlink will pop up a summary of the symbol's function.); The third gives symbols listed elsewhere in the table that are similar to it in meaning or appearance, or that may be confused with it;
So with every album, comes an era. Swifties know that their monarch tends to embed "clues" everywhere, from song lyrics to liner notes. Nothing, it seems, is an accident. Her aesthetic choices ...
Era (styled as +eRa+) is a new-age music [1] project by French composer Eric Lévi. Some of the lyrics were written by Guy Protheroe in an imaginary language similar to Latin, but deliberately devoid of any exact meaning. Musically, the project blends Gregorian chants with modern elements and genres, especially rock, pop and electronic music.
The lyrics, by Guy Protheroe, are written in pseudo-Latin, i.e. sounding like Latin but are in fact deliberately devoid of any exact meaning. [citation needed] The vocals are performed by Guy Protheroe and Harriet Jay. Eric Lévi played keyboards and programmed it, whereas Philippe Manca played lead guitar, bass and drums.
The early Baroque era initiated stylistic changes which led to increasing disparity between masses written entirely in the traditional polyphonic manner (stile antico), whose principal advancements were the use of the basso continuo and the gradual adoption of a wider harmonic vocabulary, and the mass in modern style with solo voices and ...
A musical cryptogram is a cryptogrammatic sequence of musical symbols which can be taken to refer to an extra-musical text by some 'logical' relationship, usually between note names and letters. The most common and best known examples result from composers using musically translated versions of their own or their friends' names (or initials) as ...