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Yggdrasil is attested in the Poetic Edda compiled in the 13th century from earlier traditional sources, and in the Prose Edda compiled in the 13th century by Snorri Sturluson. In both sources, Yggdrasil is an immense ash tree that is central to the cosmos and considered very holy.
The tree of life connects the upper world, middle world and underworld. It is also imagined as the "white creator lord" (yryn-al-tojon), [50] thus synonymous with the creator deity, giving rise to different worlds. The world tree or tree of life is an important symbol in Turkic mythology. [51] It is a common motif in carpets.
This drawing made by a 17th-century Icelander shows the four stags on the World Tree. Neither deer nor ash trees are native to Iceland. In Norse mythology, four stags or harts (male red deer) eat among the branches of the world tree Yggdrasill. According to the Poetic Edda, the stags crane their necks upward to chomp at the branches. The ...
The Tree of the knowledge of good and evil and the Tree of life are both components of the Garden of Eden story in the Book of Genesis in the Bible. According to Jewish mythology, in the Garden of Eden there is a tree of life or the "tree of souls" that blossoms and produces new souls, which fall into the Guf, the Treasury of Souls. [52]
A particularly beautiful tree with red-gold foliage Poetic Edda, Prose Edda: Hoddmímis holt: Unstated: Generally considered to be another name for Yggdrasil. Future refuge of Líf and Lífþrasir during the catacylsmic events of Ragnarök: Poetic Edda, Prose Edda: Læraðr: On top of Valhalla: Generally considered another name for Yggdrasil.
An illustration from a 17th-century Icelandic manuscript shows a hawk, Veðrfölnir, on top of an eagle on top of a tree, Yggdrasil. In Norse mythology, Veðrfölnir (Old Norse "storm pale", [1] "wind bleached", [2] or "wind-witherer" [3]) is a hawk sitting between the eyes of an unnamed eagle that is perched on top of the world tree Yggdrasil.
In Hermetic Qabalah, the Tree of Life is a fundamental concept and symbol that represents the structure of the universe and the spiritual and metaphysical path to enlightenment. It is often depicted as a diagram composed of ten interconnected spheres (called sephiroth) and 22 connecting paths, which together form a pattern resembling a tree.
It could be, however, as the prevalent themes of Norse mythology are those of change and renewal, that this could be a 'redemption' of the serpent, 'shedding' the corpses and beginning life anew, much like a macabre Phoenix, or perhaps, lifting the bodies of the righteous rulers mentioned two stanzas before (the stanza immediately before is ...