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The first modern publications of the stories were English translations by William Owen Pughe of several tales in journals in 1795, 1821, and 1829, which introduced usage of the name "Mabinogion". [8] In 1838–45, Lady Charlotte Guest first published the full collection we know today, [9] bilingually in Welsh and English, which popularised the ...
The Four Branches of the Mabinogi or Pedair Cainc Y Mabinogi are the earliest prose stories in the literature of Britain. Originally written in Wales in Middle Welsh, but widely available in translations, the Mabinogi is generally agreed to be a single work in four parts, or "branches." The interrelated tales can be read as mythology, political ...
Rhiannon (Welsh pronunciation: [r̥iˈan.ɔn]) is a major figure in Welsh mythology, appearing in the First Branch of the Mabinogi, and again in the Third Branch. Ronald Hutton called her "one of the great female personalities in World literature", adding that "there is in fact, nobody quite like her in previous human literature". [2]
-Elfydd: The Earth; the realm of humans -Annwn: The Otherworld; the realm(s) of the gods.Depending on the source, this could be a more typical Indo-European underworld (i.e. a realm below the earth), or the "deep" areas within the natural realm (e.g. deep within the woods, as with the First Branch of The Mabinogi, or within/near lakes, e.g. the Arthurian Lady of the Lake, Ceridwen in Hanes ...
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Gwawl, son of Clud, is initially mentioned in the first of the Four Branches of the Mabinogi, when Rhiannon tells Pwyll, Prince of Dyfed, who wishes to marry her, that she is intended for Gwawl. Rhiannon and Pwyll form a plan to free her from her forced marriage to Gwawl and make arrangements for their own marriage in a year's time.
Branwen, Daughter of Llŷr is a major character in the Second Branch of the Mabinogi, which is sometimes called the "Mabinogi of Branwen" after her. Branwen is a daughter of Llŷr [1] and Penarddun. She is married to Matholwch, King of Ireland, but the marriage does not bring peace. [2]
In the earliest prose stories in Britain in the Mabinogi, the Adar Rhiannon; "birds of Rhiannon", are specifically three magical birds, whose song can "wake the dead and lull the living to sleep". They also have a non-rational effect on space as they can be remote but seem very near.