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The Bible never states when Jesus was born, [161] [162] [163] but, by late antiquity, Christians had begun celebrating his birth on 25 December. [162] In 274 AD, the Roman emperor Aurelian had declared 25 December the birthdate of Sol Invictus, a sun god of Syrian origin whose cult had been vigorously promoted by the earlier emperor Elagabalus.
[201] [202] Linguists reconstruct his name from that of the Vedic god Apám Nápát, the Roman god NeptÅ«nus, and the Old Irish god Nechtain. Although such a god has been solidly reconstructed in Proto-Indo-Iranian religion , Mallory and Adams nonetheless still reject him as a Proto-Indo-European deity on linguistic grounds.
Roman counterpart of the Greek god Hermes. Minerva, goddess of wisdom, war, the arts, industries and trades, and one of the Dii Consentes. Roman equivalent of the Greek goddess Athena. Mithras, god worshipped in the Roman empire; popular with soldiers. Molae, daughters of Mars, probably goddesses of grinding of the grain.
A Roman wall painting showing the Egyptian goddess Isis (seated right) welcoming the Greek heroine Io to Egypt. Interpretatio graeca (Latin for 'Greek translation'), or "interpretation by means of Greek [models]", refers to the tendency of the ancient Greeks to identify foreign deities with their own gods.
Many god lists compiled by ancient scribes contained entire "Inanna group" sections enumerating similar goddesses, [164] and tablet IV of the monumental god list An-Anum (7 tablets total) is known as the "Ishtar tablet" due to most of its contents being the names of Ishtar's equivalents, her titles and various attendants. [165]
The Aphrodite Anadyomene went unnoticed for centuries, [265] but Pliny the Elder records that, in his own time, it was regarded as Apelles's most famous work. [265] During the Hellenistic and Roman periods, statues depicting Aphrodite proliferated; [277] many of these statues were modeled at least to some extent on Praxiteles's Aphrodite of ...
Eros and his Roman equivalent Cupid, are also known, in art tradition, as a Putto. The Putto's iconography seemed to have, later, influenced the figure known as a Cherub . The Putti (plural of Putto) and the Cherubim (plural of Cherub) can be found throughout the Middle Ages and the Renaissance in Christian art .
This association was most notable during a deification ceremony where Mark Antony became Dionysus-Osiris, alongside Cleopatra as Isis-Aphrodite. [3] In the controversial book The Jesus Mysteries, Osiris-Dionysus is claimed to be the basis of Jesus as a syncretic dying-and-rising god, with early Christianity beginning as a Greco-Roman mystery. [4]