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The SST was a design that combined Gibson's steel-string acoustic and electric guitar technology. [2] The guitar had a solid spruce or cedar top and a mahogany body. Unlike most acoustic-electrics, the SST had no resonating chamber or soundhole. The acoustic sound came from a bridge mounted transducer manufactured by L.R. Baggs for Gibson with ...
Generally regarded as Gibson's most famous and widely used acoustic guitar model, it is considered the workhorse of guitars. The Jumbo guitar is signified by the "J" and not to be confused with C.F. Martin & Company's Dreadnought body style. In 1934 the jumbo was Gibson's competing response to Martin's "D" line body shape of 1930s. The jumbo is ...
An acoustic board is a board made from sound absorbing materials, designed to provide sound insulation. [3] [4] Between two outer walls sound absorbing material is inserted and the wall is porous. Thus, when sound passes through an acoustic board, the intensity of sound is decreased. The loss of sound energy is balanced by producing heat energy.
The Advanced Jumbo and the Jumbo 35 were both introduced in 1936. Both of these instruments were 16 inches (410 mm) wide, and had 14 frets clear of their bodies. The Jumbo 35 was the lower-priced model, going for just $35. The Advanced Jumbo was retailed at $80, still less than the $100 Martin D-28 Dreadnought. [4]
22 medium jumbo frets. Fender Roto-matic tuners, and 4 bolt neck plate. 11 screw pickguard. Some models don't have a pickguard. String locking. Fender Schaller System I, System II, System III tremolo systems. Some are fitted with Kahler 2500/2520; Various combinations of single coil and or humbucking pickups on various models.
Gibson entered into production of this model in 1937 as its top-of-the-line flat top guitar, initially called the Super Jumbo, changing the name in 1939 to the Super Jumbo 200. It replaced the Gibson Advanced Jumbo. [2] It was made at the Gibson Factory in Kalamazoo, Michigan. The SJ-200 was named for its super-large 16 7/8" flat top body, with ...
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