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What sets the "witches" of Latin America apart from their European counterparts is the blend of religiosity and spirituality. Latin American "witches" are rooted in African magic, European spiritualism, and Indigenous practices, making them practice an integrated version of spirituality. [8] [9]
Magic and what would later be called science were often practiced together, with the notable examples of astrology and alchemy, before the Scientific Revolution of the late European Renaissance moved to separate science from magic on the basis of repeatable observation. Despite this loss of prestige, the use of magic has continued both in its ...
One of the instrument's early pioneers, Eduardo Arolas, was called the "Tiger of the Bandoneon". Arolas believed the instrument was made to play in tango. Vicente Greco is credited with standardizing tango with his group, Orquesta Tipica Criolla, by using two violins and two bandoneons. The instrumentation of tango remained largely unchanged ...
Real de a 8, also known as "Spanish American peso", "Spanish dollar" or "piece of eight", considered to be the first world currency, which also gave the origin of the dollar or peso sign ($), was a Spanish/Mexican invention, it was first used in New Spain before being widely used in the whole Americas, parts of Europe and the Far East.
He became the first Hispanic-American to win a Pulitzer Prize, which he got for his 1989 book "The Mambo Kings Play Songs of Love." The book became the basis for the blockbuster 1992 movie "The ...
The güiro was adapted from an instrument which originated in South America. The Aztecs produced an early cousin to the güiro, called the omitzicahuastli, which was created from a small bone with serrated notches and was played in the same manner as the güiro. [6] The Taíno people of the Caribbean have been credited with the origins of the ...
One source suggests that the instrument took its name from its players, who were called charangeros, meaning "someone of questionable character and low morals". [11] Another traces the term to the alteration of a Spanish term, charanga , which could refer to either a type of military music played on wind instruments, or an out-of-tune orchestra ...
However, much of the traditional contemporary music of Mexico was written during and after the Spanish colonial period, using many old world influenced instruments. Many traditional instruments, such as the Mexican vihuela used in Mariachi music, were adapted from their old-world predecessors and are now considered very Mexican.