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William "Bill" Benjamin Lava (March 18, 1911 – February 20, 1971) was a composer and arranger who composed and conducted music for feature films as well as Warner Bros.' Looney Tunes and Merrie Melodies animated cartoons from 1962 to 1969, replacing the deceased Milt Franklyn, making him the last composer and arranger in the classic era of Warner Bros. Cartoons.
Carl William Stalling (November 10, 1891 – November 29, 1972) was an American composer, voice actor and arranger for music in animated films. He is most closely associated with the Looney Tunes and Merrie Melodies shorts produced by Warner Bros., where he averaged one complete score each week, for 22 years.
Baby Looney Tunes is an American animated television series depicting toddler versions of several Looney Tunes characters. [1] It was produced by Warner Bros. Animation as its first preschool animated series. [ 2 ]
The song has been recorded by many other artists (see below for a partial list) and is considered a popular standard. It was used frequently in the Looney Tunes and Merrie Melodies cartoons, also produced by Warner Brothers, under the musical direction of Carl W. Stalling. [3]
Producer Leon Schlesinger had already produced the music-based Looney Tunes series, and its success prompted him to try to sell a sister series to Warner Bros. His selling point was that the new cartoons would feature music from the soundtracks of Warner Bros. films and would thus serve as advertisements for Warner Bros. recordings and sheet music.
It is best known as the theme of Warner Bros.' Looney Tunes and Merrie Melodies cartoon series since 1936. The first two lines of Cantor's recording are: Merrily we roll along, my honey and me Verily there's no one half as happy as we. In the 1970s, it was adopted by WGN as the theme music for The Ray Rayner Show, which featured Warner Bros ...
The tune first appeared in the Merrie Melodies cartoon short Sweet Sioux, released June 26, 1937. [2]Starting with the Looney Tunes cartoon short Rover's Rival released October 9, 1937, an adapted instrumental version of the song's main tune became the staple opening and closing credits theme for the Looney Tunes series, most memorably featuring Porky Pig stuttering "Th-th-th-that's all, folks!"
Spencer served as composer and director of music for Leon Schlesinger Productions from 1933 to 1936, along with fellow composer Bernard Brown, creating film scores for animated short films in the Looney Tunes and Merrie Melodies series produced by Leon Schlesinger. His son Norman, Jr. reportedly handled the musical arrangements for both series. [1]
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