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186 etched glass at Bankfield Museum. Glass etching, or "French embossing", is a popular technique developed during the mid-1800s that is still widely used in both residential and commercial spaces today. Glass etching comprises the techniques of creating art on the surface of glass by applying acidic, caustic, or abrasive substances.
Self portrait bare-headed: bust, roughly etched: 1629 S376: 1: A beggar in a tall hat and long cloak, with a cottage and two figures in the background: About 1629 or earlier B012: 1: Self portrait in a fur cap, in an oval border: About 1629 B095: 1: Peter and John at the gate of the Temple: roughly etched: About 1629 B106: 1: St. Jerome ...
Beaker with soldier and civilian shaking hands, Bohemian glass, later 19th century. Engraved glass is a type of decorated glass that involves shallowly engraving the surface of a glass object, either by holding it against a rotating wheel, or manipulating a "diamond point" in the style of an engraving burin.
Due to widespread availability and low cost, Soda Lime Glass is most commonly used for picture framing glass. Glass thicknesses typically range from 1.8 to 2.5 millimetres (0.071 to 0.098 in). Clear glass has light transmission of approximately 90%, absorption of approximately 2%, and reflection of approximately 8%. Whereas absorption can be ...
New exhaust system fitted. Custom "Mike & Edd" logo hand painted on both doors. Custom aluminium windshield sun visor made. Body painted in certain areas in original teal to create a rat rod look, then sealed with clear coat. Wheeler Dealers logo etched onto vent windows, using sparks from an angle grinder and some tubing . Vinyl seats and sun ...
In the modern revival all of the top layer except the areas needed for the design are usually removed by an etching process—the figure areas are covered with a resist layer of wax or some other acid-resistant material such as bituminous paint, and the blank repeatedly dipped in hydrofluoric acid, so that cameo glass is in some sense a sub-set ...
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
In the glass Plaxton's "castle" logo was etched, the rear window contained a blind like decal at the base with a castle badge in the centre. The dashboard consisted of a moulded cabinet, ceasing the use of wood and formica of earlier versions of Plaxton coaches since the Panorama's.
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