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The phrase was associated with the advertising agencies then located on Madison Avenue in New York, [1] and with the "men in the grey flannel suits". [2] Comedians, [2] when mocking corporate culture, were certain to use it, along with expressions such as the whole ball of wax and the use of invented words adding the suffix -wise (e.g.
Their second album entitled Run It Up the Flagpole was released on September 1, 2009. [20] After a hiatus in 2010, Farewell announced on October 16, 2011 that they are working on a new album to be released in the winter of 2012. [21]
raise the flag (ellipsis of raise the flag and see who salutes) as a variation of the catchphrase run it up the flagpole (ellipsis of let's run it up the flagpole and see if anyone salutes it) "Horst-Wessel-Lied" (known also as "Die Fahne hoch", rendered in English as "Raise the Flag"), the Nazi Party anthem
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According to one account, Kelly climbed his first pole at the age of seven, and at nine he performed a "human fly" trick, climbing up the side of a building. [1]He is credited with popularizing the pole-sitting fad after sitting atop a flagpole in 1924, either in response to a dare from a friend [7] or as a publicity stunt to draw customers to a Philadelphia department store. [8]
The main characters of Shake It Up (from left to right): Deuce Martinez, Ty Blue, CeCe Jones, Flynn Jones, Rocky Blue, Gunther Hessenheffer and Tinka Hessenheffer - Can also use cursor to identify. Shake It Up is an American sitcom that originally aired on Disney Channel from November 7, 2010 to November 10, 2013.
"Flagpole Sitta" is a song by American rock band Harvey Danger from their 1997 debut album, Where Have All the Merrymakers Gone? It was released as the band's debut single in April 1998 and was met with critical and commercial success, peaking at number 38 on the US Billboard Hot 100 Airplay chart, number three on the Billboard Modern Rock Tracks chart, and number nine on the Canadian RPM ...
Drawing the Target Around the Arrow differs from Polachek's earlier work in that it consists solely of minimal instrumental tracks. Polachek crafted the album using raw sine waves, as she had been growing bored of how "genre-specific" music had become and wanted to strip it down to its basic parts.