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Night Tide (1961) by Curtis Harrington. Night Tide is a 1961 American independent [2] [3] fantasy film sometimes considered to be a horror film, [4] [5] written and directed by Curtis Harrington and featuring Dennis Hopper in his first starring role. [6] It was filmed in 1960, premiered in 1961, but was held up from general release until 1963.
Marjorie Cameron Parsons Kimmel (April 23, 1922 – July 24, 1995), who professionally used the mononym Cameron, was an American artist, poet, actress and occultist.A follower of Thelema, the new religious movement established by the English occultist Aleister Crowley, she was married to rocket pioneer and fellow Thelemite Jack Parsons.
Cameron also co-starred in his subsequent film Night Tide (1961) with Dennis Hopper. Harrington worked with Kenneth Anger, serving as a cinematographer on Anger's Puce Moment and acting in Inauguration of the Pleasure Dome (1954) (he played Cesare, the somnambulist).
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Night Tide: Curtis Harrington: Dennis Hopper, Linda Lawson, Gavin Muir: United States [18] Pleins feux sur l'assassin: Georges Franju: Pierre Brasseur, Pascale Audret, Marianne Koch: France: Psychological thriller [19] Taste of Fear: Seth Holt: Susan Strasberg, Ronald Lewis, Ann Todd: United Kingdom [20] Underworld U.S.A. Samuel Fuller
Night Tide (Hightone, 2000) It's Time! (Yep Roc Records, 2003) Turntable Matinee (Yep Roc, 2006) What A Dream It's Been (Razor & Tie, 2023) Other albums. Fly Right with Big Sandy & the Fly-Rite Trio (Dionysus, 1990) On the Go (No Hit Records, 1993; re-released on Jeems Records, 2002) Big Sandy Presents the Fly-Rite Boys (Hightone, 1998)
She also appeared in Curtis Harrington's cult film Night Tide (1961) [5] opposite Dennis Hopper, who later cast her as one of the hippie commune girls who go skinny-dipping with Hopper and Peter Fonda in Easy Rider (1969). [6]
(Harrington had directed the low-budget film Night Tide, an offbeat version of the Lorelei myth, in 1961 which had impressed Stefano.) A script by Charles Beaumont was given to Sanford for revision, though in the end Sanford came up with his own more Gothic plot, Harrington backed out and Paul Stanley directed.